ASALC 19
@algolitjournal
A Sad & Lonely Constellation: Navigating the Antinomies of Technological Hope, 3rd May, MACAO, Milan
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The event is free and all are welcome. The talks will also be live-streamed by the New Centre for Research and Practice. Please check our Facebook page for the weblinks of the broadcast.
love this image averaging of different artists google image results by @nikhilsinghmus (nancy burson, vera molnar and jason salavon)
A HOUSE OF DUST IN DENSE WOODS USING ELECTRICITY INHABITED BY PEOPLE FROM MANY WALKS OF LIFE
according to the neural network, this is the "average" painting
.RAVEL. .RAVEL. .RAVEL. .RAVEL. .RAVEL. .RAVEL. .RAVEL. .RAVEL. GRADING AND GRAVEL. .RADING AND GRAVEL. GRAVEL. GRADING AND GRAVEL. TOTAL
semicolon is performative
A HOUSE OF GLASS IN A METROPOLIS USING ALL AVAILABLE LIGHTING INHABITED BY PEOPLE WHO EAT A GREAT DEAL
Among many fascinating cases in @jacobgaboury’s look at queer histories and futures of computing at Fields Notes yesterday was the 1952 love-letter generator of Christopher Strachey. A closeted writer and programmer, Strachey is credited with making the first work of computer art
actual teletype printout from the earliest known poetry generator, by Theo Lutz (1959)
at the moment i feel like a schism
I bE tHe AnDy WarHoL oF ToDaY!
I feel like my work deserves more attention
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