AI4ALL

@AI4ALL_NET

Education, Innovation, Elevation. Advancing Together in the AI Era. E/acc #AI4ALL #AIPulse #AIForAll

ai-4-all.net

Joined April 2020

2KPosts 360KFollowers 464Following

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🎨 PRISMATIC POLYGON PORTRAIT 🎨 Prompt : A Prismatic Polygon Portrait of [SUBJECT] in Low Poly Art, where facial features are composed of vibrant, multifaceted shapes. Utilize a spectrum of [COLOR1] and [COLOR2] hues to create a striking interplay of light and shadow across…

LudovicCreator's tweet image. 🎨 PRISMATIC POLYGON PORTRAIT 🎨

Prompt :

A Prismatic Polygon Portrait of [SUBJECT] in Low Poly Art, where facial features are composed of vibrant, multifaceted shapes. Utilize a spectrum of [COLOR1] and [COLOR2] hues to create a striking interplay of light and shadow across…

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Cooker.hl | Kms.eth | 版本之子 | Cooker

@CookerFlips

Sep 28

FINE ILL FUCKING BUY EM

AI4ALL

@AI4ALL_NET

Sep 24

Painted on the French Riviera, this watercolor captures the fortified walls of Antibes against the backdrop of the Mediterranean and distant Alps.

Friedrich

@Telewhale

Sep 24

“Antibes” (1888) by Henri Biva captures the Riviera’s fortified walls against the calm Mediterranean and distant Alps. With delicate color and crystalline light, Biva transforms a coastal view into a serene postcard of the Côte d’Azur. 🌊

Telewhale's tweet image. “Antibes” (1888) by Henri Biva captures the Riviera’s fortified walls against the calm Mediterranean and distant Alps. With delicate color and crystalline light, Biva transforms a coastal view into a serene postcard of the Côte d’Azur. 🌊

AI4ALL

@AI4ALL_NET

Sep 17

Painted when Irène was only eight, the portrait was commissioned by her wealthy Jewish banker father.

Friedrich

@Telewhale

Sep 17

“Portrait of Mademoiselle Irène Cahen d’Anvers” (1880) by Pierre-Auguste Renoir shows the young Irène with radiant red hair and a pensive gaze. Commissioned by her banker father, the portrait became one of Renoir’s most famous—and later endured a turbulent history during WWII. 🎨

Telewhale's tweet image. “Portrait of Mademoiselle Irène Cahen d’Anvers” (1880) by Pierre-Auguste Renoir shows the young Irène with radiant red hair and a pensive gaze. Commissioned by her banker father, the portrait became one of Renoir’s most famous—and later endured a turbulent history during WWII. 🎨

AI4ALL

@AI4ALL_NET

Sep 12

Perugini, who married Charles Dickens’s daughter Kate, often painted young women and children in moments of delicate reverie.

Friedrich

@Telewhale

Sep 12

“Butterflies” (1895) by Charles Edward Perugini captures a young girl gazing at a bowl as butterflies hover and take flight. Blending innocence with dreamlike wonder, the painting reflects the Victorian fascination with fleeting beauty and reverie. 🦋

Telewhale's tweet image. “Butterflies” (1895) by Charles Edward Perugini captures a young girl gazing at a bowl as butterflies hover and take flight. Blending innocence with dreamlike wonder, the painting reflects the Victorian fascination with fleeting beauty and reverie. 🦋

AI4ALL

@AI4ALL_NET

Sep 10

Homer captured modern leisure at a time when croquet was wildly popular, especially among women, as one of the first outdoor sports considered socially acceptable for them.

Friedrich

@Telewhale

Sep 10

“A Game of Croquet” (1873) by Winslow Homer captures a new leisure craze of the 19th century. Once novel for women to play outdoors, croquet became a symbol of elegance and social change. Homer sets the scene with poise, play, and even a dog as spectator. 🎐

Telewhale's tweet image. “A Game of Croquet” (1873) by Winslow Homer captures a new leisure craze of the 19th century. Once novel for women to play outdoors, croquet became a symbol of elegance and social change. Homer sets the scene with poise, play, and even a dog as spectator. 🎐

AI4ALL

@AI4ALL_NET

Sep 7

Bouguereau reimagines Botticelli’s Renaissance Venus with 19th-century sensuality and technical polish.

Friedrich

@Telewhale

Sep 7

“The Birth of Venus” (1879) by William-Adolphe Bouguereau reimagines the goddess with Academic precision and sensual grace. Surrounded by nymphs, tritons, and cupids, she rises on a shell—her luminous form embodying 19th-century ideals of divine beauty. 🐚

Telewhale's tweet image. “The Birth of Venus” (1879) by William-Adolphe Bouguereau reimagines the goddess with Academic precision and sensual grace. Surrounded by nymphs, tritons, and cupids, she rises on a shell—her luminous form embodying 19th-century ideals of divine beauty. 🐚

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Julian C

@Julian_cano_

Sep 5

Happy weekend everyone Enjoy sit back and relax

AI4ALL

@AI4ALL_NET

Sep 4

Bouguereau, a French Academic painter, depicts the tender moment when Cupid lifts Psyche into the sky.

Friedrich

@Telewhale

Sep 4

“The Abduction of Psyche” (1895) by William-Adolphe Bouguereau shows Cupid carrying Psyche skyward in a tender embrace. Draped in violet, their bodies glow with a mix of innocence and desire—an emblem of Bouguereau’s romantic idealism and technical perfection. 💜

Telewhale's tweet image. “The Abduction of Psyche” (1895) by William-Adolphe Bouguereau shows Cupid carrying Psyche skyward in a tender embrace. Draped in violet, their bodies glow with a mix of innocence and desire—an emblem of Bouguereau’s romantic idealism and technical perfection. 💜

AI4ALL

@AI4ALL_NET

Sep 3

Though often mistaken for a tsunami, the wave is more likely a rogue wave towering over fishermen’s boats.

Friedrich

@Telewhale

Sep 3

“The Great Wave off Kanagawa” (c.1831) by Katsushika Hokusai shows a towering wave poised above fragile boats, with Mount Fuji calm in the distance. Using the newly imported Prussian blue, Hokusai turned a fleeting moment of peril into an eternal image of nature’s power. 🌊

Telewhale's tweet image. “The Great Wave off Kanagawa” (c.1831) by Katsushika Hokusai shows a towering wave poised above fragile boats, with Mount Fuji calm in the distance. Using the newly imported Prussian blue, Hokusai turned a fleeting moment of peril into an eternal image of nature’s power. 🌊

AI4ALL

@AI4ALL_NET

Sep 1

Strazza, the Italian sculptor, carved a marble bust in Rome that somehow ended up in St. John’s, Newfoundland.

Friedrich

@Telewhale

Sep 1

“The Veiled Virgin” (c.1850s) by Giovanni Strazza is carved from Carrara marble with astonishing delicacy. The veil seems translucent, yet it is solid stone—an illusion of weightlessness that reveals both Strazza’s technical mastery and the sculpture’s serene spirituality. ✨

Telewhale's tweet image. “The Veiled Virgin” (c.1850s) by Giovanni Strazza is carved from Carrara marble with astonishing delicacy. The veil seems translucent, yet it is solid stone—an illusion of weightlessness that reveals both Strazza’s technical mastery and the sculpture’s serene spirituality. ✨

AI4ALL

@AI4ALL_NET

Aug 29

This play of perspective blurs reality and illusion, making the viewer question their own position.

Friedrich

@Telewhale

Aug 29

“A Bar at the Folies-Bergère” (1882) by Édouard Manet captures Parisian nightlife with a twist of illusion. The barmaid faces us, yet in the mirror she turns to a customer. Amid champagne and bright lights, her detached gaze hints at the loneliness behind spectacle. 🍊

Telewhale's tweet image. “A Bar at the Folies-Bergère” (1882) by Édouard Manet captures Parisian nightlife with a twist of illusion. The barmaid faces us, yet in the mirror she turns to a customer. Amid champagne and bright lights, her detached gaze hints at the loneliness behind spectacle. 🍊

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Friedrich

@Telewhale

Aug 26

“Night Party in Versailles” (1906) by Gaston La Touche. Fireworks burst over Versailles as a lantern-lit gondola glides past swans and statues. Reviving Watteau’s fête-galante for the Belle Époque, La Touche turns spectacle into a dream. 🎇

Telewhale's tweet image. “Night Party in Versailles” (1906) by Gaston La Touche. Fireworks burst over Versailles as a lantern-lit gondola glides past swans and statues. Reviving Watteau’s fête-galante for the Belle Époque, La Touche turns spectacle into a dream. 🎇

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No Context Cats

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Aug 26

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@AI4ALL_NET

Aug 22

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Higgsfield AI 🧩

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AI4ALL

@AI4ALL_NET

Aug 22

While it appears playful and exotic, the painting also reflects the 19th-century Western fascination—and misunderstanding—of Japanese culture.

Friedrich

@Telewhale

Aug 22

“La Japonaise (Camille Monet in Japanese Costume)” (1876) by Claude Monet reflects Europe’s fascination with Japanese art. Camille Monet poses in a vivid red kimono before a wall of fans, embodying both allure and parody. A glimpse of Japonisme, filtered through Impressionist…