Kehinde .A .O
@DJSOUPAMODEL
CEO: Music Blvd Group, Sync Con/Africa’s 1st Female DJ/ Grammy P & E/Emmys/ AfroEDM Creator/ Create music to your fav tv show, film and video games.
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No words. Biggest moment of my career. I’ve had to hold this “secret” for so long. Working musically (some in film scenes) is beyond a blessing. Huge congrats to my @musicblvdgroup squad!!. Let’s go!!! 11.11.22
Big ups to those of us that creating SOMETHING out of nothing. Big ups to us that built from scratch with nothing but hardwork, determination, consistency, and prayers. Big ups to us that our LAST NAMES were not the door openers, BUT we fought to earn our spots!
It’s insane how labels equate TikTok virality to talent, having these artists do the most and looking silly. They are not comedians. Isn’t it your job as a label to find TALENT and blow them up? Anyways, come over to the good side - Sync Licensing, where your numbers dont matter
Dear music producers, If you’re trying to succeed in Sync, Stop producing TRAP/ 808 heavy tracks ALONE! Diversify your catalog. Big brass hip hop ( would always win) Funk hip hop Rock hip hop Cinematic ( epic) hip hop is a BIG WINNN for sync
6. Trust me, the support is here and has always been there. More needs to be done from your end as well. MARKETING AND NETWORKING.
5. I dont believe the same exists for other non nigerian acts, hence the slow climb. Let’s focus on the issue from the root cause here and not blame it on another country. One love 💕
4. support system internationally amongst your people. Maybe emulating the “nigerian system”of breaking the barrier is what’s needed here and not expect us to carry the burden too while we are still crawling. Nigerian acts sell out here because Nigerians come out and support HARD
3. along. Lets call it like it is. More work is needed from ghanians/other countries for growth. In every inch or Facet of the industry here, you’ll see Nigerians. Ask yourself why. While i (we) may support yall, you need to also put in the (NET)WORK. You need to foster a good
2. Same goes for Nigerians intentionally acquiring important industry roles here. As a dj and in the industry here in America, I barely see same from non nigerian acts. While the saying is to get “support”, you cant force a kid to water that doesn’t want to drink or bring a cup
1. Dear Ghanians, This is absolutely wrong in every measure. I can speak for Nigerians abroad when i say the growth of afrobeats benefiting Nigerians in America to be precise came from Nigerian acts intentionally investing their time, efforts, and effectively networking here.
Proud of you my brotha @shizzi . No long talk. Stick to the manuscript.
Actions speak louder than words. You didn’t have too but did. Good deeds @davido
One of the biggest reasons why ‘Afrobeats’ is being pumped through American airways @DJSOUPAMODEL
Sacramento was a movie with @TiwaSavage . Your fav dj’s dj with a sick 🎤 mic game! 🔥 #butshesthesoupadj
African American Artists make up 90% of the acts at most festivals! Why don’t you have your own agencies by now? Come together and DO your own festivals! The fans are coming to see you! You can foot the initial cost. Guaranteed bank line of credit. Control the narrative n $$!!
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