Edge Poetics
@EdgePoetics
A Symposium on Innovative and Speculative Creative Writing Practices in Higher Education - 4th November 2017
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Had a great day in Luton on Saturday talking with interesting folk about creative writing & experimental & speculative fiction @EdgePoetics
Thanks @TimothyJJarvis for an inspiring day. A great balance of papers and I’m only sorry I couldn’t stick around for all the readings.
Especial thank to our brilliant keynotes and readers: @microbius, @nicholasroyle, and @manuscriptgal!
Thanks to everyone for making the Edge Poetics Symposium a great day! So much to mull over. Really insightful presentations and discussion.
Thanks to everyone for making the Edge Poetics Symposium a great day! So much to mull over. Really insightful presentations and discussion.
That’s it, a small attempt to help address the bind of publishable/professional that arose in the #edgepoetics plenary.
or appear in Waterstones at all, but can still find an audience. (21)
guidelines, outside the mainstream is not a void but a series of niches, homes to books that might not meet 3 for 2 requirements, (20)
to the rest. A "publishable" book might appeal to multiple publishers but yours might only appeal to one or two. Outside the (19)
informed decisions. The guidelines are not designed to beat or berate, but to guide. The problem arises when artistry leaves you (17)
publishable is not concrete or immovable, it is a generalised selection of guidelines, knowledge of which writers can use to make (16)
unpublishable can be viewed by another as highly publishable; this is the benefit of diversity and independence in publishing.) What is (15)
attracts their own unique readers and writers, which also impacts on what is deemed publishable. (Work that one publisher deems (14)
judgement against. A good publisher shifts and adapts, learns from others but also writes their own guidelines. Each publisher also (13)
than writers, each can grow and change. Each can surprise. The problem is that without guidelines a publisher has nothing to weigh (12)
*doorbell rings (not the Tesco delivery)*
guidelines apply to the majority and that sometimes gambling outside of them can have its rewards. Readers are no more fixed entities (11)
After all, it is only when publishers witness the success of titles outside the publishable remit that they understand that the (10)
successful this might even lead to evolutionary change in what is deemed publishable (or at least provide a notable edge case). (9)
thing.) Writers rarely seek to be truly unpublishable, but their work can seek to change what is publishable, and when they are (8)
a therapeutic exercise or a step to writing better things. (A book purposefully inciting hate on the other hand can never be a good (7)
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