Emerging Collective
@EmergingColl
NGO giving exposure to social impact art with a specific eye toward emerging markets.
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Ben Bernanke leaving the Fed to work for Citadel is like Chief Justice John Roberts leaving the Supreme Court to work for Koch Industries.
Earlier this month, Tate Modern celebrated its 20th anniversary. These are the London museum's 10 most important shows artnews.com/art-news/news/…
Cecilia Alemani: a very solid pick to organize the Venice Biennale. As High Line curator in New York she's given huge swings of the bat to young artists (and obscure ones), and gotten generally good work from veterans: no easy task in the public art game. theartnewspaper.com/news/cecilia-a…
#Banksy makes a nativity scene. trib.al/CUVwNQc
hyperallergic.com
Banksy Unveils a Political Interpretation of the Nativity Scene in Bethlehem
The work was unveiled this past weekend at the artist’s Walled Off Hotel, which overlooks Israel’s separation wall around Bethlehem.
Illinois has spent tons of effort and money on criminal registries for ex-convicts - but not a dime to reduce inequality... an extension of the prison industrial complex with profound emotional + economic impact. #CTSummit @illinoiscourts
It seems absurd to argue about nation states in an age when climate change will force migration, yet nationalism is rising. - Larissa Sansour, post-apocalyptic film maker #CTSummit
We’re creating an intersectional space for partying and intellectuality. -Sandra Jackson-Dumont. Education Chair, The Met. #ctsummit
You should learn your real histories before creating your own. -George Stonefish, Elder of Lenape Tribe, original inhabitants of Manhattan. #ctsummit
Mary Sibande’s work explores issues of race, gender and identity in post-apartheid South Africa, featured here in our 2016 exhibition ‘South Africa: the art of a nation’. Sibande explains how her art confronts history in this video: ow.ly/lDmQ30nXyqJ #5WomenArtists
Today,South African artist Sue Williamson.I took the images at Art Basel 2017 "Messages from the Atlantic Passage" each bottle is inscribed with the details of one of the 12.5 million people shipped from the African continent as slaves between 1525 and 1866 #5womenartists
Overheard at #artbaselHK - does the contemporary art world have space for examination of the periphery, of the other?
Angela Merkel 4th term as leader of Germany. The world bemoans autocracy in china while one woman has put Europe under the German thumb more securely than hitler ever could muster #Merkel
We are so excited about Four Simultaneous Soloists, a music series to accompany our upcoming Anthony McCall exhibitions: bit.ly/2j2l7Si #pwmusic
Music series will accompany Anthony McCall's 'Solid Light Works' at Pioneer Works in Brooklyn bit.ly/2Aw4w4t
William Kentridge Enough and More Than Enough focuses on Kentridge’s stage work, including theatre, opera and performance @museoreinasofia until 19th March 2018 artrabbit.com/events/william…
Coverage and twitter commentary of the Syrian conflict has the one benefit of quickly unmasking the morally corrupt and intellectually dishonest.
The Manhattan district attorney announced Friday that three ancient sculptures are being returned to their rightful owners in Lebanon. bit.ly/2D0HO1V
Bel article de l'Oeil de l'exilé, sur la table ronde ayant eu lieu dimanche 10 à la Maison des Arts : L'art, un outil politique ? #art #politique #engagement #chatillon #HautsdeSeine loeildelexile.org/art-outil-poli…
"One of the rare moments when too much is exactly enough." — @hyperallergic on "Trigger: Gender as a Tool and a Weapon" #gendertrouble hyperallergic.com/409920/how-con…
hyperallergic.com
How Contemporary Artists Are Embracing the Ambiguities of Gender
What’s incredibly refreshing and exciting about Trigger: Gender as a Tool and a Weapon is that it’s a queer art show that specifically seeks a space beyond a taxonomic obsession.
Artist Toyin Ojih Odutola Finally Gets Her Due @whitneymuseum bit.ly/2ykTn5k
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