Floating Home Music
@HomeFloating
Music publishing co featuring composer Arthur Breur—solo & ensemble works influenced by film scores, The Muppets, and sacred choral music.
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Parade of the Spirits is a fun but challenging concert band piece in the spirit of a film score for a spooky Halloween spectacular. @ArthurBreur is holding a consortium for this piece. Contact him directly if you're interested in participating. musescore.com/arthurbreur/sc…
musescore.com
MuseScore: sheet music
Parade of the Spirits - Concert Band Consortium In Progress
A mixed trio for woodwind, tuned percussion, and a bass instrument (such as cello 😉), Misted Swerve was composed by @arthurbreur for a patron and friend. Easily adjusted for other similar instruments, the arrangement here is alto sax, marimba and bass. floatinghomemusic.com/downloads/mist…
floatinghomemusic.com
Misted Swerve - Mixed Trio - Floating Home Music
DESCRIPTION A jaunty and mysterious theme composed on the name of a patron. DURATION 3m COMPOSER Arthur Breur INSTRUMENTS Alto Sax, Double Bass, Marimba FORMAT Score, Set of Parts GENRES 21st...
Does your concert band need a rip-roaring Halloween number? Arthur Breur's "Dance of the Monsters Under the Bed" delivers! #concertband #halloween #spookymusic floatinghomemusic.com/downloads/danc…
floatinghomemusic.com
Dance of the Monsters Under the Bed - Concert Band Arrangement - Floating Home Music
DESCRIPTION Concert band arrangement of this fun, spooky Halloween piece—an homage to movie score composers including John Williams, Jerry Goldsmith, Danny Elfman, and Bernard Herrmann, as well as to...
And the sheet music for the piano solo is available at Floating Home Music and Sheet Music Plus! #pianosolo #sheetmusic #pianomusic #piano floatinghomemusic.com/downloads/sky-…
floatinghomemusic.com
Sky In Motion - Piano Solo - Floating Home Music
DESCRIPTION (This is the same sheet music as https://www.floatinghomemusic.com/downloads/sky-in-motion-piano-solo-with-art-cover/ but with a the standard publisher’s cover page.) Note from the...
Arthur Breur's first concert march was composed with dogs in mind. Dogs running, dogs playing, dogs barking... but the percussion-led "dogfights" in this concert march are intentionally lighthearted! floatinghomemusic.com/downloads/conc…
FREE EVENT IN JUST 15 DAYS: Wednesday, July 20, 2022 at 8pm Eastern, UMBS presents a FREE Self Care Round Table with Angela McCuiston, Dr. Lea Pearson, and Sarah Whitney! #umbssummer2022 #selfcare #music #musician #liveonline musicsummit.biz/summer2022
Arthur Breur's Piano Sonata combines a variety of different influences into a three-movement work that is energizing, calming, exhilarating, thoughtful, and uplifting. A jazzy first movement, a dreamy waltz, and an adventurous finale. @arthurbreur floatinghomemusic.com/downloads/arth…
P.S. Spoiler alert: One of the biggest obstacles for new music *performers* in starting collaborations is unplayable music, and this is why I started @toolboxsessions. Learn more at toolboxsessions.com + use code 'daniellekuntz22' for a $10 discount. [8/8]
In the meantime, I'd love to hear from you! If you're a composer, how do you network with performers? If you're a performer, what's the biggest obstacle for you in getting involved with new music? [7/8]
We need to get more performing musicians excited about new music and working with living, breathing composers. In a later post (next week), I'll discuss how to overcome some common obstacles to getting started in new music, as a performer, so stay tuned. [6/8]
Right now, the few active new music performer-musicians are usually completely booked with projects. Personally, I can realistically only collaborate and perform 3-4 advanced level pieces per year, in addition to my regular commitments. (...and I'm currently backlogged..) [5/8]
So, why do composers still struggle to get performers interested in playing their music? In all honesty? We need more music performers to start championing new music and to get involved with these collaborations. [4/8]
Performers usually have curated an audience of music-listeners. That's literally our job - we have to have an audience to perform! So by partnering with composers, we can help you get performances and help you get connected to an audience. There's so much potential! [3/8]
If you've followed me for any length of time, you know that I strongly believe that performers and composers should partner and collaborate together. Yes, this collaboration is important for idiomatic writing, but that is just the start. [2/8]
Last week, I asked about your biggest challenge as a composer. The answers ranged from learning new technology, to imposter syndrome, and getting funding. But an overwhelming majority of you said your biggest challenge is getting people to listen to and perform your music.[1/8]
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