Josh Collum
@JoshCollum
Sr. Dir of Publishing @ Soundstripe Co-Founder @ The Other Nashville Society Co-Founder @ Sorted Noise Founder @ Eat What You Kill
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Maybe I’ve missed it, but is there a curious journalist out there that’s figured out what actually went on behind the scenes with Olivia Rodrigo “giving” songwriting credit to Taylor Swift, Hayley Williams, & Josh Farro? There’s a story there (she didn’t just “give” them credit)
The Other Nashville Society (TONS), an org dedicated to connecting musicians, has teamed up with @AppleMusic as playlist curators to highlight the artists of all genres of Music City. Check their pop playlist below 👇music.apple.com/us/playlist/po…
Yesterday @ReservoirMedia won big at the #MusicWeekAwards Today, they've done a big deal with @SortedNoise - musicweek.com/publishing/rea…
I think I can speak for all of the co-founders of @OtherNashville when I say we slept long and hard this weekend, but reading this @MusicWeek piece summing up what we pulled off last week with our partners @AWAL reminds us it’s worth it.
This @MusicWeek piece by @msutherlanduk sums up our UK Exchange week perfectly, and points to the opportunity that exists for London & Nashville working closer together. Thx to our partners @AWAL for helping us make it happen!musicweek.com/opinion/read/n…
A surprising thing to me about this @taylorswift13 / @scooterbraun / @scottborchetta “conversation” that’s happening, is how little some very major artists seem to understand about basic music biz stuff. Ironically, it illustrates that artists *need* smart (trustworthy) biz peeps
Random thought that puts perspective on the inevitable viability of today’s streaming platforms... @itunes came from nowhere & revolutionized the music business and shriveled into almost nothing... all within 19 years. What will the music landscape look like in another 19 years?
Great piece. In a weird way, feels like glimpsing into the future a little bit. musicbusinessworldwide.com/behind-billie-…
Wow. How many rules can one show break. @The_OA Part II on @netflix is the bravest piece of art I’ve seen in awhile. That ending! Well done, @britmarling and @z_al. Keep being brave.
Quintessential Kenny Mac. He’s long been a trusted mentor as we’ve built @SortedNoise and this interview captures him perfectly. Some gems in here.
‘It’s always in your best interest to bank a lot of karma chips in the music industry’ - Music Business Worldwide musicbusinessworldwide.com/its-always-in-…
Approximately 92% of the internet-connected global population (4.16bn) are not active users of Twitter (336m). Approximately 96% of the actual global population (7.6bn) are not active users of Twitter. It's fun, but remember: it's very far from the real world.
An absolute must read for creators. Killer interview with @jamiehartman on @musicbizworld
'People in the music business often do and say cruel things in order to elevate themselves. Avoid these people.' -musicbusinessworldwide.com/people-in-the-…
YouTube just added songwriter, label and publisher credits to millions of songs -musicbusinessworldwide.com/youtube-adds-s…
Spotify launches $12.99-per-month bundle with Hulu in the US -musicbusinessworldwide.com/spotify-launch…
Some refreshing perspective on the music industry from @carlhitchborn in this piece. It’s a time to rip up the old rules and write new ones.
‘I realised that no-one in the music business knew what they were doing’ -musicbusinessworldwide.com/carl-hitchborn…
Huge.
Major victory for songwriters as US mechanical royalty rates rise 44% - musicbusinessworldwide.com/major-victory-…
Songwriters, streaming companies strike landmark deal on music licensing tennessean.com/story/money/20… via @tennessean
Really enjoyed this chat
New on our blog: @SortedNoise's @JoshCollum on Building a Sync-Focused Business, and Uniting the Non-Country Nashville Music Community bit.ly/2BRk56M #musicindustry #synclicensing
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