ScriptPipeline's profile picture. Developing writers for film and television. A division of artist discovery platform @pipelinemediagp. Est. 1999. Independent. #PipelineWriters

Script Pipeline

@ScriptPipeline

Developing writers for film and television. A division of artist discovery platform @pipelinemediagp. Est. 1999. Independent. #PipelineWriters

Fwiw, the streak of at least one Pipeline winner or finalist on the Black List continues. (The Stag & the Bull by Kelly Walker 🥳 )


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Finalists for the 2025 Short Script and Short Film seasons coming on Wednesday. 🎥 ✍️ FilmPipeline.com


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"Kudos to you, Duffer Brothers, for conjuring characters and spinning such tales that even this scaredy cat dared to brave watching because I just had to know. I had to know what was happening next because they made me care about a bunch of kids from Indiana." Read now on…


!!!!!🍻!!!!! A big leap forward for 2023 Screenwriting finalist “Buzzkill,” from @colinthecrabb!


👀

I got dragooned into being a Bublé impersonator. Made a doc about it. @nytimes wrote about it. You’re now up to speed nytimes.com/2025/12/06/art…



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👋 ICYMI…

The 2025 Book Pipeline Unpublished results: /🧵



Script Pipeline さんがリポスト

The 2025 Book Pipeline Unpublished results: /🧵


Script Pipeline さんがリポスト

Unpublished contest results have been locked in--posting tomorrow (Friday). Unrelated-ish: In 2026, a total of NINE Book Pipeline Unpublished finalists/winners will be released. Fiction and nonfic. Big big year, and we'll be talking a lot about each and every one endlessly.


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"...the more likely positive result of finishing your screenplay, and something you should consider as your most achievable goal, is that it becomes a calling-card script that helps you break into the business. But how do you break in?" Read now on #PipelineArtists, from…


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I think it's i̷m̷p̷o̷r̷t̷a̷n̷t̷ necessary for screenwriters to realize it's not all go big or go home when it comes to screenwriting. Just cuz you're not selling $3m specs doesn't mean you can't build a satisfying career (while still aspiring to land a big deal). @kimhornsby

"This might be controversial, but I’m going to say it anyhow: It does newbie screenwriters an injustice to tell them not to hustle and do everything possible to support their work because most screenwriters will never get a big studio deal." NEW on Pipeline Artists, from…



Our @BookPipeline authors heading into 2026 like

Unpublished contest results have been locked in--posting tomorrow (Friday). Unrelated-ish: In 2026, a total of NINE Book Pipeline Unpublished finalists/winners will be released. Fiction and nonfic. Big big year, and we'll be talking a lot about each and every one endlessly.



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✨Calling all story-lovers and human-art supporters✨ Link in comments 👍 #WritingCommunity #comics #indiepublishing

AnnaAbrashina's tweet image. ✨Calling all story-lovers and human-art supporters✨

Link in comments 👍

#WritingCommunity #comics #indiepublishing

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"I am here to tell you, having completed three successful crowdfunding campaigns, all filmmakers are inherently less likable than a potato and the myriad of culinary pleasures it can produce. That being said, it is possible to hustle like crazy, get some money for your project,…


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"After experiencing the beauty of a pristine film print, I thought that it was time to do a deep dive in the differences between film and digital." Read now on #PipelineArtists: pipelineartists.com/the-life-death…


Script Pipeline さんがリポスト

"I’ve always been fascinated by how writers’ minds work. It takes a certain type of person to create a make-believe world and carry that through 80,000 words (or more in the case of a series—George R.R. Martin, I’m looking at you)." Read now on #PipelineArtists:…


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Spike Lee, Academy Award Lifetime Achievement Honoree, answers a question about using AI in filmmaking during his Keynote Q&A at Storytelling360: State of the Story on October 5, 2025 at the Directors Guild Theater in NYC. #screenwriting #filmmaking #spikelee #writingcommunity


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Sometimes a writer will submit to Script or Book Pipeline and they'll have decent credits from years ago, and I'm like "well why do they need our help?" And the answer is always: because this industry is brutal. As I've always said, there's no tenure in the arts.


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