Sian White
@ThouARTblog
A recent Art History postgraduate discovering the excitement and frustration of leaving the university nest, and learning to fly in the professional world.
In Focus: Siddal's Lady Affixing Pennant to a Knight's Spear wp.me/p2UVge-39
thouartacademia.wordpress.com
In Focus: Siddal’s Lady Affixing Pennant to a Knight’s Spear
The small dimensions of this painting suggest it may have been a private, intimate piece. Perhaps it functioned as an artistic exercise, as Siddal was at this time relatively new to painting and re…
À Bientôt! wp.me/p2UVge-36
thouartacademia.wordpress.com
À Bientôt!
Just a quick note to say that as of tomorrow evening I will have exited the cyber world in favour of blistering heat, ruined temples, elephants, beaches and an unruly tribe of macaques.I will retu…
TJ Clark - Landscape with a Calm wp.me/p2UVge-30
thouartacademia.wordpress.com
TJ Clark – Landscape with a Calm
Poussin, ‘Landscape with a Calm’, 1650-51The man with the goats has seen this light before. He enjoys it, takes it seriously, but does not turn on his heel To get a better view. His dog…
Ghostly Apparitions and Matters of the Flesh: Millais' 'Speak! Speak!' in Focus wp.me/p2UVge-2M
thouartacademia.wordpress.com
Ghostly Apparitions and Matters of the Flesh: Millais’ ‘Speak! Speak!’ in Focus
Millais’ works are well known for his precision and painstaking attention to detail. Painted over four decades after the formation of the Pre-Raphaelite Brotherhood, Speak! Speak! (1895) demonstrat…
Displaced Desire and 'Symbolic Physiognomy': Alan Davison on Rossetti and Music wp.me/p2UVge-2H
The Ithaca Axis: A Clash of Titans from all Directions wp.me/p2UVge-2e
thouartacademia.wordpress.com
The Ithaca Axis: A Clash of Titans from all Directions
The wrath of a dying patriarch, the chilling screams of a mother in panic, and the revelations wrought by siblings with very different upbringings. The Ithaca Axis is a promenade performance taking…
A Pot of Gold for the Precautious Postgraduate wp.me/p2UVge-25
thouartacademia.wordpress.com
A Pot of Gold for the Precautious Postgraduate
With a bit of clicking around and perusing through various Twitter feeds, I stumbled upon a blog which can only be described as the title of this article suggests. Pat Thomson, Professor of Educati…
Merlin and Medusa: Tracing Receptions wp.me/p2UVge-1z
thouartacademia.wordpress.com
Merlin and Medusa: Tracing Receptions
Burne-Jones’ The Beguiling of Merlin of 1877 (Fig. 1) depicts a scene from Malory’s Morte d’Arthur, in which Vivien, the lady of the lake lulls the sorcerer into a deep sleep, enveloping him within…
39th Annual AAH Conference, University of Reading. Day 3 wp.me/p2UVge-1s
thouartacademia.wordpress.com
39th Annual AAH Conference, University of Reading. Day 3
Saturday 13th April, 2013 Session 15: Shut Your Eyes! Iconophobia in the Modern Era Sarah Lippert Edward Burne-Jones’ Mysterious Dormancy Liana De Girolami Cheney At the AAH Conference 2012 there w…
39th Annual AAH Conference, University of Reading: Day 2, Part I wp.me/p2UVge-1h
thouartacademia.wordpress.com
39th Annual AAH Conference, University of Reading: Day 2, Part I
Friday 12th April, 2013 Session 27 – Image, Identity and Institutions: The Male Artist in 19th-Century Britain Colin Cruise & Amelia Yeates ‘A slave kept in Leyland’s back parlour’: The male ar…
39th Annual AAH Conference, University of Reading: Day 1 wp.me/p2UVge-1a
thouartacademia.wordpress.com
39th Annual AAH Conference, University of Reading: Day 1
From 11-13th April 2013, approximately four hundred art historians gathered at the University of Reading for the 39th Annual AAH Conference. Hailing from all over the country as well as abroad, spe…
Tips for Getting Postgraduate Funding wp.me/p2yusO-28 via @wordpressdotcom
earlymoderndialogues.wordpress.com
Tips for Getting Postgraduate Funding
Applying for funding for a PhD is a difficult and demanding process. Here is five tips from my own experience in gaining PhD funding.
I hope this record of my efforts may be of some use to you, whether you follow my example or learn from my mistakes.
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