Wikitype®
@Wikitype
A new colaborative visual tool to learn, classify and choose typefaces.
normalize decorative first letters in code snippets
By reading, contemplating, and internalising civilisation’s wealthiest wisdom, such as that poured into these texts.
If you are interested in type design in digitally undeserved scripts 👇🏽🎯🙌
KBI Type Design Incubator 2026 Applications NOW OPEN kbitype.org 2 Tracks: 1. Non-Latin Scripts 2. Decolonizing Latin Deadline: Nov 14 The Donald Knuth & Charles Bigelow Type Design Incubator is powered by SILICON @Stanford w/ Words of Type + @Lett_Arc
La exitosa serie chilena de títeres ‘31 Minutos’ ha sido aclamada por su presentación en el Tiny Desk Concert, el reconocido formato musical producido por la National Public Radio (NPR) en Estados Unidos. “Soy Tulio Triviño y esta es la primera vez en Washington de ‘31 Minutos’,…
You cannot decolonize typography without deLatinizing typography.
Gracias a todas y todos los que estuvieron en esta importante marcha.
🔴 Así se vive la marcha de colectivos desde el mercado de sonora hacia el zócalo capitalino, en contra de la venta de animales en el mercado de sonora.
Feedback from the 1st Knuth Bigelow Type Design Incubator, powered by @siliconstanford w/ @Lett_Arc + Words of Type, couldn't have been more glowing. Here's a sample of projects from the program. Keep an eye out for KBI 2026: silicon.stanford.edu Let's begin w SE Asia /1
Type Lovers (& Type Curious) friends in the Stanford area, please take a look + sign up! An exploration of the myriad Type Design education opportunities in the Stanford-San Francisco area, co-led by our beloved colleagues @Lett_Arc bit.ly/typecurious
I’ve organized many conferences in my life—& I’ve never seen so many strong proposals come in within the first 2 hours of the Call for Proposals going live. Such is @ATypI 2026! Deadline is in August. Don't sit on your hands! Here's the link: atypi.org/2025/07/23/aty…
Why do we still need new fonts? Discover how Cadson Demak redefined modern Thai typography through tradition, innovation, and looped identity. 👉 Read our insight: buff.ly/71h2M3b #Typography #ThaiType #CadsonDemak #Granshan #FontDesign #TypeCulture
As Chair of the Stanford ATypI Local Organizing Committee, it's an absolute pleasure to share: the 2026 ATypI Call for Proposals is Officially OPEN! atypi.org/2025/07/23/aty… You can learn more about the conference themes for Stanford and Sharjah. /1
#HistoryMatters Prof. @tsmullaney's work on Chinese typewriters & his quest to bring a MingKwai to @StanfordLibs featured in @nytimes “To me it’s just a typewriter,” [Ms. Felix said], “But to other people it’s history; it’s a story, a life, a treasure.” nytimes.com/2025/07/22/nyr…
Decutto is a neo-grotesque that packs the Marionette formula and some blackletter ideas into a low-contrast sans serif design. The contemporary legible letter shape is decorated with cut carved edges and counters, giving the typeface a crisp and simplistic look, like that of an…
When I started the Endangered Alphabets Project, the first book I read was Amalia Gnanadesikan’s The Writing Revolution, and it was the most valuable thing I could have read. The second edition is now out, and I advise everyone interested in language and writing to order it .
New typeface in the making, MrsHoyle inspired by Dwiggins' work
Stincilla naturally refers to Didot and “pochoirs” alphabets. We have added ornate variants with different drops, as well as ligatures, vignettes and overs sized quotes at the size of capitals to the AW Conqueror Stincilla. ➽ typofonderie.com/fonts/aw-conqu…
![blackfoundry's profile picture. Combining design and technology, we create fonts that perform. Across borders, across touchpoints. Type+Tech® is our expertise. Black[Foundry] is our name.](https://pbs.twimg.com/profile_images/915961080182116352/mcSleOzq.jpg)
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