blackpool (2004) script
@blackpoolscript
tweets the script from the tv show Blackpool (2004) every 20 minutes.
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ten calling twelve grandad like he didn’t choose that face bc he thought caecilius was sexy
tw / suicide . . "What's that supposed to mean?" "Steve's been filling me in on your past, at school. The notes. You trying to kill yourself. You know, the small stuff." "He told you about that, did he?" "Don't say it like it's nothing."
"I wouldn't hurt anyone that meant that much to you." "No. You'd just tell someone else to, that's how it works, isn't it?" "I can't believe you'd think I'd do something like this. Come on, it's me. Your dad." "So? Turns out there's a lot of things I don't know about my dad."
[SHYANNE RUNS AWAY] "I'd better go and have a word." "Why do you have to go running after her all the time?" "And why are you being like this?"
tw / sexism . . "And what are you looking so shaky about, eh? Your mum find your porn mags? What? What is it? Hey, love. I'm really gutted about what happened to Steve. How is he?" "Are you not going to have anything to eat?"
"I think we need to be more honest with each other. "Any more honest than this and we'll be at each other's throats." "I mean it. You start." "What's got into you?"
[DOOR CLOSES] "Good day?" "I wouldn't know. I've forgotten what a good day looks like." "So you don't want to know what sort of day I've had, then?" "Oh right, so when you said "good day" it was a trick question so that you could pick me up when I didn't ask you back."
[MUSIC STARTS FADING OUT] # I'm losing sleep over the secrets that you keep... # "Does that feel like I meant it?" "Yeah. You're good. I'll give you that." [SHE GETS UP AND WALKS AWAY, LEAVING HIM STUNNED]
[RIPLEY SINGS] # I'm losing sleep over the secrets that you keep # [CARLISLE SINGS] # I'm losing sleep over the secrets that you keep # [NATALIE SINGS] # I'm losing sleep over the secrets that you keep I'm losing sleep over the secrets that you keep #
# I'm losing sleep over the secrets that you keep I'm losing sleep over the secrets that you keep I lie awake at night Not knowing where you are You know it don't seem right That you could be so far away from me Oh, secrets that you keep #
[THE SECRETS THAT YOU KEEP BY MUD PLAYS] [NATALIE SINGS] # I've only got myself to blame I played a losing game I lie awake and call your name All I own is just a picture in a broken frame It seemed so hard for me to share It's even harder now that you're not there Now, baby #
"Until you forget which is the truth and which is the lie." "What is it, Natalie? What's happened?" "Kiss me." [MUSIC STARTS FADING IN] "What? Here? Now?" "Yes. Like you really mean it."
"Don't do that." "Why not?" "Because it hurts too much. Both of us having to pretend all the time. Keeping this secret." "Yeah, I know." "It always leads to more and more secrets, doesn't it?
"Hiya." "Hi." "What's wrong? What is it?" "I just wanted to see you. I just wanted to look at you." "Yeah, I miss you as well." "Do you?" "Of course. I can't think about anything else." "What do you think is happening here, Peter?" "I don't know. I just want it to carry on."
"You'll be a walking hard-luck story." "Yeah? But I'll know I did the right thing." [HE WALKS AWAY] "Listen to Jimmy Stewart all of a sudden."
"Hey! You know, one day you'll stand outside here and there'll be pink colonnades, statues, barmen dressed as gladiators and shit and the sound of money falling 24 hours a day. And you'll stand there with a sick grin on your face feeling like the man who passed on The Beatles."
"I don't keep cash like that on the premises." "Any time it suits you, Ripley. No rush." "No, spare me the interest free credit and easy terms. You're not buying a sofa." "I'm doing you a favour here."
"Carlisle is never gonna believe me if he finds out I've got money tied up with you." "Get out of here, you've bottled it. Eh, it's blokes like you that are talking us into a recession." "I'm doing this 'cause we're mates." "I know why you're doing it."
"When I said I wanted your help I didn't mean by losing your cash on my machines." "I had a chat with Carlisle. I think it's better if I take my money out of this place." "So how does that help?" "I'm your alibi."
"Excuse me. I'm looking for an officer, he's in charge of the Mike Hooley case. That's all I know, I'm sorry." "It'd be D.I. Carlisle you want. He's working on it. Just through there." "Thank you." [NATALIE SEES PETER CARLISLE, LOOKS STARTLED, AND WALKS AWAY]
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