Content Partners LLC
@content_llc
Content Partners LLC is the leading owner of major studio distributed films, television shows, and related participations
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The Los Angeles Film Critics Association is back for its 51st annual awards. These picks often translate into Oscar wins, spotlighting festival favorites and strengthening late contenders. @Variety shares this year's winners. variety.com/2025/film/awar…
What happened in the box office this weekend? @THR covers Five Nights at Freddy’s 2, Disney’s Zootopia 2, Wicked: For Good, and Now You See Me: Now You Don’t. View the results here. hollywoodreporter.com/movies/movie-n…
Big news announced: Paramount has gone straight to shareholders with an all-cash offer to acquire Warner Bros. Discovery, positioning it as a stronger alternative to WBD’s previously announced deal with Netflix. Read more in @DEADLINE. deadline.com/2025/12/paramo…
deadline.com
Paramount Launches Hostile Takeover Offer For Warner Bros. Discovery
Paramount announced it has commenced an all-cash tender offer to acquire all outstanding shares of Warner Bros. Discovery for $30 per share in cash.
Awards season is officially underway, and the race to the Oscars has begun. As this week’s results roll in, expect surprises, shifts in narrative, and plenty of industry debate, but the real race doesn’t take shape until the guilds weigh in come January. variety.com/lists/one-batt…
YouTube TV and TelevisaUnivision have reached a multi-year renewal, ending a nearly two-month blackout of Univision and other networks. Find out what the agreement entails in this @DEADLINE article. deadline.com/2025/11/youtub…
Zootopia 2 just delivered a record-shattering debut! The film opened with $272M in China, claimed the biggest Saturday in history with $104M, and earned $96.8M over the three-day weekend. Read this article in @THR to learn more. hollywoodreporter.com/movies/movie-n…
Wicked: For Good delivered a record-setting debut, generating $150M domestically and $226M worldwide, surpassing the opening of the franchise’s first installment on nearly every front! Check out this @DEADLINE article to find out which records it broke. deadline.com/2025/11/wicked…
The entertainment industry is entering a new era that's defined by AI, immersive tech, and interactive experiences. With the global entertainment market projected to surpass $3 trillion by 2029, it's an exciting time for investors. Find out why. proactiveinvestors.com/companies/news…
Preliminary bids for @wbd are due 11/20, kicking off the first round of non-binding offers. A potential @netflix-WBD combination is under scrutiny, as a combined 30%+ streaming market share could cause harm to content creation and jobs. deadline.com/2025/11/warner…
deadline.com
Preliminary Bids For Warner Bros Discovery Due Next Week; Antitrust Issues Heat Up
With initial bids for WBD due on November 20, Rep. Darrells Issa takes a stand against a potential Netflix deal as antitrust issues heat up.
AI can now “read” scripts, but can it care about them? As studios test AI tools to grade screenplays, human story analysts push back, arguing that intuition still matters in Hollywood’s first creative filter. The human touch remains irreplaceable. variety.com/2025/film/news…
The NBA & Take-Two are rebooting the NBA 2K League - with YouTuber Jesser as Honorary Commissioner. Creators, athletes & fans will share the same stage, blending competition with content. Sports × Gaming × Culture = the next era of entertainment. hollywoodreporter.com/business/digit…
Park Chan-wook’s No Other Choice finds sharp satire in the AI apocalypse - turning automation, layoffs & survival into a story about what it means to stay human. “Getting fired is a violent act… and AI is doing that to mankind right now.” hollywoodreporter.com/movies/movie-f…
As Warner Bros. explores a potential sale, another Hollywood pillar faces a new identity crisis. From Casablanca to Barbie, the studio has defined what creative risk looks like at scale - but what happens when legacy studios become assets? variety.com/2025/film/opin…
Wall Street stays bullish on @Netflix ahead of earnings - driven by record-breaking KPop Demon Hunters, a strong Q4 slate, & moves into gaming + podcasts. Amid AI questions, Netflix continues to redefine scale, engagement & IP growth in streaming. hollywoodreporter.com/business/busin…
From the Box Ofiice - Black Phone 2 delivers for Blumhouse - $26.5M U.S. / $42M global on a $30M budget. Tron: Ares slips 65% in wk 2, showing why mid-budget genre films remain the industry’s steadiest performers. hollywoodreporter.com/movies/movie-n… #ContentPartners #BoxOffice #FilmFinance
At #MIPCOM, Mediawan Pictures CEO Elisabeth d’Arvieu said the Plan B acquisition “put us on the map in the U.S.” The partnership bridges European storytelling with Hollywood’s reach. deadline.com/2025/10/mediaw… #FilmIndustry #MediaFinance
At #MIPCOM, YouTube’s Pedro Pina & BBC Studios’ Jasmine Dawson spotlighted a shift from push to pull media - where creators, fandoms & legacy IP collide. Fandom-first thinking isn’t just engagement, it’s how studios future-proof content value. hollywoodreporter.com/tv/tv-news/you…
Box Office Monday: Tron: Ares debuts at $33.5M - below expectations for Disney’s $180M reboot. Roofman opens to $8M on a $19M budget, and Demon Slayer: Infinity Castle becomes the top-grossing international film in U.S. history. hollywoodreporter.com/movies/movie-n… #BoxOffice #FilmIndustry
hollywoodreporter.com
Box Office: ‘Tron’ Hits the Skids With $33.5M Opening, ‘Roofman’ No. 2 at $8M
The big-budget 'Tron: Ares' came in $10 million or so behind expectations domestically and likely ends hopes of ever rebooting the sci-fi franchise.
Oscar-winning filmmaker Richard Trank launches new banner Sea Point Films, with docs & narratives in the works. A major new chapter in nonfiction storytelling. Read more: hollywoodreporter.com/movies/movie-n… #ContentPartners #FilmFinance #DocuSeries #RichardTrank
Swift’s Showgirl brings in $33M domestic / $46M global with a limited-run, nontraditional release. Meanwhile, The Smashing Machine opens at $6M despite strong reviews. Alt release models are reshaping box office. hollywoodreporter.com/movies/movie-n… #BoxOffice #TaylorSwift #Lifeofashowgirl
hollywoodreporter.com
Taylor Swift’s ‘Showgirl’ Rocks Box Office With $34M, Dwayne Johnson’s ‘Smashing Machine’ Opens to...
'Showgirl' pulled in huge numbers for a 89-minute "cinematic experience" that's neither a concert film nor a doc but rather a (smart) promotional stunt for Swift's new album. Overseas, it took in $16...
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