progsubway's profile picture. Navigating you through the progressive metal underground.

The Progressive Subway

@progsubway

Navigating you through the progressive metal underground.

Orso are nothing if not committed to their oddly compelling album theme, and knock their composition out of the park with towering complexities, satisfying crunch, and a vibrant intensity. theprogressivesubway.com/2024/12/22/rev…


Bent Knee's comeback as a four piece displays their continued ability to rip the listeners heart out, though with a more mature sound an approach. "Twenty Pills Without Water" marks itself as one of the group's best releases. theprogressivesubway.com/2024/12/13/mis…


Dragoncorpse's deathcore tinged power metal inspired something of a unique review in us, read on to follow us along our dragon slaying journey. theprogressivesubway.com/2024/12/12/rev…


Kaosis undoubtedly have poured their heart and soul into "We Are the Future", and honestly this album is best experienced in the video form, where the cast of characters and guests is truly forefront. It is earnest at its heart, though at times unbearable. theprogressivesubway.com/2024/12/11/rev…


Misanthropy's "The Ever-Crushing Weight of Stagnance" transcends its influences to carve out its own niche in one of the most crowded scenes in the underground, it is a latecomer sure to make any tech fans year end list. theprogressivesubway.com/2024/12/10/rev…


Bedsore are something of a revelation, a mad scientist blend of glimmering synthesiser layers and idiosyncratic guitar work with a gorgeous jazz influenced sense of intricacy. theprogressivesubway.com/2024/12/09/rev…


Anarchÿ's "Xenötech and the Cosmic Anarchÿ" is more of what we've come to love from them, chock full of balls-to-the-wall thrash riffing. theprogressivesubway.com/2024/12/07/rev…


KYROS's "Fear and Love" is the band at their very best, and as a transitional step between albums it’s an exciting snippet of things to come. theprogressivesubway.com/2024/12/04/rev…


Kosmodome have a liveliness disparate from the subject matter of "Ad Undas", and when they channel their psychedelic influences they shine, though at time their more original contributions lack the same intrigue.


Ungfell's "De Ghörnt" without a doubt earns a place among the best black metal albums of the year, displaying their songwriting prowess with ambitious tracks balanced by superb quieter moments. theprogressivesubway.com/2024/11/29/rev…


Capilla Ardiente once again indulge in over-the-top epic doom ideas to great success, showing that they are unafraid to lean into the sensibilities that make epic doom metal so compelling. theprogressivesubway.com/2024/11/28/rev…


Joey Frevola's "Art Supplies and Pain" has strong musicianship at times let down by overly quirky composition and scattered melodies, but is indeed an authentic expression of the artist behind it all. theprogressivesubway.com/2024/11/26/rev…


Gigan's "Anomalous Abstractigate Infinitessimus" is great for fans of aural punishment, though the experience could be more memorable if more riffs and breakdowns were able to emerge from the sea of noise.


Coma Control have enough talent to emulate their influences well, but "Perennial" doesn't do enough to establish a differentiating sound for the band outside of some fleeting moments. theprogressivesubway.com/2024/11/22/rev…


Schammasch have once again shown why they are one of the most exciting projects in black metal around, as have they proven to be at the forefront of post-metal innovation. theprogressivesubway.com/2024/11/20/rev…


Paralydium's "Universe Calls" riff and vocal changes from their debut serve as a bit of a letdown, making this a flawed but unique and interesting record. theprogressivesubway.com/2024/11/18/rev…


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