structmatters's profile picture. Artists' film from the imaginary archive.
Bot by @petemcpartlan

Struct Mat Bot

@structmatters

Artists' film from the imaginary archive. Bot by @petemcpartlan

Head Tri (1973). Idiosyncratically narrated mathematical principles. 16 minutes, Colour, umatic.


Jam Noise (1991). Resurfacing of extended duration. 22 minutes, B/W, sound.


Over Hold (1971). Balletic movement of the projector lens. 14 hours, B/W, sound.


Vista Minute (1966). Eradication of four dimensions. 17 minutes, B/W, optical sound.


Hold Shadow (1973). Erasure of prisms. 63 minutes, B/W, umatic.


Lace Meat (1974). A flat transcription of political messages. 24 minutes, B/W, silent.


Perspective Picture (1978). Cross-processed film of obscene scribbles. 6 minutes, Colour, magnetic sound.


Contrast Collapse (1991). Mythical visions of rippling ponds. 47 minutes, Colour, silent.


Marriage Broker Angle (1987). Personal images of pattern. 13 minutes, B/W, umatic.


Film Extended (1980). Urgent letters on each frame. 16 minutes, Colour, silent.


Picture Virus (1991). Illusions of repetitive phrases. 81 minutes, Colour, umatic.


See Tracks (1988). Urgent under-exposures. 21 minutes, Colour, optical sound.


Print Describing (1969). Forced exposure to unsympathetic editing. 21 minutes, Colour, sound.


Again Eye (1978). Bleached the projector itself. 13 minutes, B/W, silent.


Work Surface (1979). Serene studies of standard practices. 27 minutes, B/W, umatic.


Flickering Melt (1977). Illusions of horizontal bars. 16 minutes, Colour, magnetic sound.


Filtered Flutter (1959). Framing solid light. 31 minutes, B/W, umatic.


Slice Against (1973). We see the audience. 81 minutes, Colour, optical sound.


XOXO Reworked (1977). Flickering analytical studies. 16 minutes, Colour, sound.


Filtered Over (1978). Bleached the projector itself. 31 days, B/W, sound.


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