Dit vind je misschien leuk
Backing Tracks for your projects contact me for info and pricing @unpluggeDloop check YT Chanel here youtube.com/channel/UCe3qa… Enjoy! d(^_^)b
#Ambient Dreamers, This One’s for You! #Float away with the timeless, velvety vibes music.youtube.com/watch?v=IIjrIW… Its lush jazz #tones and #cosmic charm are #perfect for sinking into a serene #soundscape or sparking your next creative flow. #Click to drift into #bliss!
Drop your favorite jam session song or genre below, and let’s build the ultimate playlist! #MusicJam #VibeTribe #LetItRock
7-BAR #MINOR #PROGRESSION #Chromatic iiø7-V7alt-i in A minor – think "#Softly As in a #Morning #Sunrise" vibes with #altered dom7 spice. #Ballad #tempo ~80 #BPM, perfect for #introspective #solos. | Bm7b5 | E7alt | Am(maj7) | Abm7b5 | Db7alt | G#m7 | Dm7sus4 |
7 bar #chord #progression #jam | Dm7 | G7 | Bbmaj7 | Eb7 | Gm7 | C7 | Am7 E7 |
| Cm7 | F7 | Cm7 | Gm7 | F7 | Cm7 | G7 | #scale #c #blues #progression #improvisation #improvement #instrument #music #jam
| Cmaj9 | Dm7 | E7♭9 | Am7 | D7♭9 | Fm7 | B7♭9 | #chord #progression #improvisation #bars #notes #jam #scales
#Chord #progression #idea | Cmaj7 | Am7 | D7 | G7 | Fmaj7 | Em7 | A7 | Dm7 |
#Taylor #Legacy #714ce Western Red Cedar Top | Indian Rosewood Back and Sides | Neo-Tropical Mahogany... taylorguitars.com/guitars/acoust…
| Gm7 | Gm7 G♭7 | Cm7 F7 | A♭7 | A♭maj7 | E♭7 | B♭maj7 A7 | A♭7 G7 | #chord #progression #idea
Minor ii–V Substitution Concept: #Replace a #dominant 7th chord with a ii–V #progression that #resolves to the #same #target #chord, adding a #minor #key #feel.
Don't #hesitate to #add it to your #playlist music.youtube.com/watch?v=IIjrIW…
#Coltrane #Changes (#Major #Third #Cycle) Concept: #Replace a #chord or #progression with a cycle of major 7th chords (or dominants) moving by major thirds (e.g., B♭–G♭–D), inspired by John Coltrane’s “Giant Steps.”
#Secondary #Dominant #Substitution #Concept: #Introduce a #dominant 7th chord to “tonicize” a #chord other than the #tonic, adding #tension and #forward #motion.
#Tritone #Substitution #Concept: #Replace a #dominant 7th chord (V7) with #another dominant 7th chord whose #root is a #tritone (three whole #steps) away. The #chords share the same 3rd and 7th (enharmonically), preserving #function.
#Diatonic #Substitution #Concept: #Replace a #chord with another from the #same #key that shares #similar #harmonic #function (e.g., substituting B♭maj7 with Gm7, both tonic-function chords in B♭ major).
Rhythm Changes Example (A section): In B♭ major: | B♭maj7 G7 | Cm7 F7 | B♭maj7 G7 | Cm7 F7 | (typically I-vi-ii-V with variations) The bridge often uses a cycle of #dominants (D7 - G7 - C7 - F7). Widely used for #improvisation due to its flexible harmonic #structure.
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Dit vind je misschien leuk
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