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Behind the Mask II: The Return of Leslie Vernon is officially moving forward with director Scott Glosserman and writer David J. dreadcentral.com/news/567390/be… @mayhem_festival @RobertBEnglund @DreadCentral #ScreamWire #BehindTheMask #slasher #horror
Mike Flanagan purchased Rollergirl’s Boogie Nights skates at auction while shooting his Prime Video Carrie series… thewrap.com/culture-lifest… @flanaganfilm @TheWrap @imheathergraham #ScreamWire #Carrie #MikeFlanagan #horror #PrimeVideo
Uma Thurman will return as Charley for season two of Paramount+'s Dexter: Resurrection alongside Michael C. Hall and Jack Alcott; hollywoodreporter.com/tv/tv-news/uma… @ParamountPics @netflix @paramountnet #ScreamWire #DexterResurrection #ParamountPlus #thriller #horror
Apple TV+ is layering auteur directors onto Widow’s Bay — Katie Dippold’s horror-comedy with Hiro Murai and Ti West attachments is a prestige-genre hedge for subscriber churn. .@MuraiHiro @TiWest #ScreamWire #WidowsBay #horror #AppleTV firstshowing.net/2026/another-t…
Mike Flanagan’s multi‑year move gives @AmazonMGMStudio a prestige horror foothold — Carrie series, The Mist and Dark Tower ties dent @netflix dominance. This reshuffles development power in TV horror. #ScreamWire #PrimeVideo #MikeFlanagan #horror cbr.com/prime-video-mi…
Cannes 2026 Official Selection leans on returning auteurs and international cinema as Thierry Fremaux and Iris Knobloch stress the festival’s role amid geopolitical… screendaily.com/news/iris-knob… @cannes @lukasdhont @RealRonHoward #ScreamWire #Cannes #filmfestival #auteurcinema
Lee Cronin and Blumhouse double down on grounded IP — a New Mexico-set Mummy by @leecronin with @UniversalPics signals studios betting familiar franchises can be retooled for intimate scares and lower budgets. #ScreamWire #TheMummy #horror #Blumhouse smh.com.au/culture/movies…
Disney and Lightstorm face a franchise reckoning — after Fire and Ash’s ~$1.4B haul @Disney is weighing cheaper, shorter sequels and scaled-back parks plans; 2029/31 windows look tentative. #ScreamWire #TheAvatar #Disney #sci-fi #horror thewrap.com/creative-conte…
Kiyoshi Kurosawa’s new 45‑minute horror Chime is playing exclusively in theaters (paired with a 4K restoration of Serpent’s Path via Janus Films) with no current plans for digital or physical release… avclub.com/kiyoshi-kurosa… #ScreamWire #KiyoshiKurosawa #theatrical #horror
Rachel Sennott has joined Matt Ross’ supernatural-tinged crime feature Kockroach, which begins filming in Australia next week; deadline.com/2026/04/rachel… @netflix @A24 @sundanceorg #ScreamWire #horror #Kockroach #BlackBear
Netflix will remove Jaws, Jaws 2 and Jaws 3-D on May 1, 2026; the piece reiterates franchise box-office tallies (original Jaws ~$490M global, Jaws 2 ~$187M… comingsoon.net/movies/news/21… @netflix @UniversalPics #ScreamWire #Jaws #horror #sharks
Lee Cronin’s The Mummy is being sold as a visceral horror tentpole — Blumhouse/New Line/Warner backing frames this as franchise-redefining IP play for investors and exhibitors. @leecronin @jackreynor #ScreamWire #TheMummy #LeeCronin #horror starburstmagazine.com/features/lee-c…
A24’s Backrooms rollout cements indie horror’s theatrical muscle — watch how festival pedigree from @sundanceorg and A24 packaging positions Kane Parsons’ debut opposite studio fare. #ScreamWire #Backrooms #A24 #AtomicMonster #horror vanyaland.com/2026/04/07/oli…
Cineverse and Fathom Entertainment will theatrically re-release Guillermo del Toro’s Pan’s Labyrinth in 4K (also offered in 3D and HDR) on Oct. deadline.com/2026/04/pans-l… @RealGDT @DEADLINE @Cineverse_iff #ScreamWire #PansLabyrinth #GuillermodelToro #darkfantasy #horror
Report reiterates Jenna Ortega is in talks for Gremlins 3 as production is eyed to start summer before its Nov. 19, 2027 release; cbr.com/jenna-ortega-e… @wbpictures @sxsw @netflix #ScreamWire #Gremlins3 #Gremlins #horror
Sony Pictures announces hundreds of layoffs and a refocus toward PlayStation IPs and anime — Pixomondo closure signals squeeze on VFX vendors; ripple effects for mid‑budget genre groups. @SonyPictures @TheWrap @netflix #ScreamWire #Sony #layoffs #industry thewrap.com/industry-news/…
Lionsgate backs a wide summer play with Mutiny — Jason Statham fronting a tentpole action thriller aimed at overseas box office and VOD tail. Watch for global windows and ancillary deals. @Lionsgate #ScreamWire #Mutiny #JasonStatham #action #thriller nerdtropolis.com/mutiny-jason-s…
Neon giallo Saturnalia goes transactional day-one on Amazon via Terror Films — a low-risk $3.99/$9.99 play that could prove festival-to-digital economics for genre fare. @NEONrated @SATURNALIAFILM #ScreamWire #Saturnalia #giallo #horror bloody-disgusting.com/exclusives/394…
Lionsgate Motion Picture Group chair Adam Fogelson discusses the studio’s strategy after mixed outcomes… hollywoodreporter.com/movies/movie-n… @Lionsgate @UniversalPics @ParamountPics #ScreamWire #Lionsgate #studio #industry
Pretty Lethal — SXSW premiere then Prime release — is emblematic of festival-first genre rollouts that feed streaming acquisition and catalog value for studios @sxsw @AmazonMGMStudio @ParamountPics #ScreamWire #PrettyLethal #thriller #PrimeVideo #SXSW cinemadailyus.com/interviews/sxs…
The Resurrected's 9‑part bingeability is proving international carry — strong Asian markets and English buzz show non‑Anglo horror can lift global hours viewed @netflix @screenrant #ScreamWire #TheResurrected #horror #Netflix hellomagazine.com/film/895051/ne…
Thrash's water set stories are a marketing win — stunt-heavy production and talent interviews are driving Netflix visibility and social traction for genre fare @netflix @djimonhounsou @comingsoonnet #ScreamWire #Thrash #horror #Netflix aol.com/articles/phoeb…
Explains the liminal-horror sub-genre powering projects like A24's Backrooms and 2025's Exit 8: it mines online-era liminal-space aesthetics (empty malls… slashfilm.com/2143744/what-i… @A24 @slashfilm @Kanepixels7 #ScreamWire #Backrooms #liminalhorror #horror
A24 won London Falling in a competitive sprint — Keefe's true‑crime cachet is now a premium TV tentpole bet that studios will monetize across formats @netflix @A24 @iHorrorNews #ScreamWire #LondonFalling #A24 #truecrime hollywoodreporter.com/lifestyle/arts…
Netflix’s Something Very Bad Is Going to Happen (April 2026) is positioned as the streamer’s post-Mike Flanagan flagship horror miniseries… cbr.com/netflix-someth… @netflix @protagonistpics @flanaganfilm #ScreamWire #SomethingVeryBadIsGoingToHappen #Netflix #horror
CloverPit launches Unholy Fusion DLC and leaderboards — live‑service expansion ups retention and monetization potential for indie horror gaming @BDisgusting @ClementPanchout #ScreamWire #horror #gaming #indiehorror bloody-disgusting.com/video-games/39…
Don Mancini is writing the next Child's Play — theatrical reboot kept canon-lite, a strategic reset that preserves IP value for theatrical, TV and licensing windows @OrionPictures @DreadCentral @realdonmancini #ScreamWire #Chucky #ChildsPlay #horror dreadcentral.com/news/567825/ch…
Exhibitors eye bowling, premium formats and alternative F&B as real revenue levers ahead of CinemaCon — distribution must reshape windows and concession economics @IndieWire @cinemacon #ScreamWire #theater #horror #exhibitors indiewire.com/features/comme…
Kiyoshi Kurosawa’s new 45‑minute horror Chime is playing exclusively in theaters (paired with a 4K restoration of Serpent’s Path via Janus Films) with no current plans for digital or physical release… avclub.com/kiyoshi-kurosa… #ScreamWire #KiyoshiKurosawa #theatrical #horror
Hulu has cast Kevin Bacon to star in a Punisher-style comic-book adaptation for the streamer; movieweb.com/hulu-casts-kev… @hulu @movieweb #ScreamWire #KevinBacon #Hulu #thriller #comicadaptation
Blumhouse’s Lee Cronin-directed The Mummy (2026) will be the longest Mummy franchise entry at 133 minutes and the first R-rated installment; imdb.com/news/ni6579144… @blumhouse @wolffromthedoor @jackreynor #ScreamWire #TheMummy #Blumhouse #horror
Paramount acquired U.S. all-media rights to Elegance Bratton’s crime thriller By Any Means (starring Yahya Abdul‑Mateen II and Mark Wahlberg) and set a Sept. thewrap.com/creative-conte… @ParamountPics @TheWrap @hammerstonefilm #ScreamWire #thriller #Paramount #crime
Nicole Kidman headlines Prime Video’s Scarpetta, an 8-episode adaptation of Patricia Cornwell’s novels that leans into graphic forensic detail and misogynistic-era backstory… variety.com/2026/tv/review… @jamieleecurtis #ScreamWire #Scarpetta #truecrime #horror
Interviews with Thrash talent highlight the film's environmental angle… blavity.com/entertainment/… @netflix @djimonhounsou @hardcorethrash #ScreamWire #Thrash #horror #climatechange
Shudder’s new reboot revived a nearly 48-year-old horror franchise by modernizing its themes for streaming—the piece focuses on creative approach, franchise history… screenrant.com/shudder-faces-… @Shudder @screenrant #ScreamWire #Shudder #horror #remakereboot
Shudder has acquired Kansas City-shot supernatural horror The Voices Of Our Mother from Panic Fest/Overlook programmers; dreadcentral.com/streaming-home… @Shudder @PanicFilmFest @TheOverlookFest #ScreamWire #TheVoicesOfOurMother #Shudder #horror
Netflix quietly released Tu Yaa Main, an Indian remake of Ping Lumpraploeng’s Thai killer-croc thriller The Pool… bloody-disgusting.com/movie/3945671/… @netflix @BDisgusting #ScreamWire #ThePool #horror #Netflix #killerCroc
Neon secured North American and English-language rights to Na Hong-jin’s genre-bending sci-fi thriller Hope for Cannes competition—the Na-directed film features an… deadline.com/2026/04/neon-b… @NEONrated @unitedtalent @DEADLINE #ScreamWire #Hope #Neon #sci-fi #horror
Searchlight/Blumhouse’s Insidious franchise continues with its sixth installment titled Insidious: Out of the Further; bloody-disgusting.com/movie/3945691/… @BDisgusting @insidiousmovie #ScreamWire #Insidious #horror #Blumhouse
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