#mithdd Suchergebnisse
We have record breaking attendance at today's #mithdd, thanks to our collaboration with #AADHum and our amazing speaker @jmddrake!
The @monument_lab project asked Philadelphians & visitors to submit their ideas for an appropriate monument for Philadelphia, & almost ~5K people answered. Many women wanted a monument of Sister Rosetta Tharpe. I would tend to agree :). #mithdd @librlaurie
Even as recently as 2015, online art collections looked like a database, whereas now there is a trend toward sequential, image-focused isolation (like gallery walls). - @adlangmead #mithdd
After a great introduction by @setsukoyokoyama, @mustazza kicks off our last #mithdd of the spring semester!
To preface his arguments about digital containerization, @KyleBickoff starts off with the Hollerith punch cards used in the 1890 census, which recorded info on people & property as a series of numbers punched onto card stock. #mithdd
Today's #mithdd with @librlaurie involved an extensive contemplative discussion of a mac and cheese-filled Liberty Bell, sponsored by Wawa. Don't ask.
Abolitionist archives: a perpetual practice of imagining other futures Where we do not use records to contribute to imprisoning and policing as a method to answer what are social, economic, and political problems. ~@jmddrake #mithdd #AADHUM
.@LGauth19 makes a great point that digital humanities archival projects can often work to preserve materials that are not actually at risk, and passes over opportunities to preserve materials that are #mithdd
.@germanisted "making visible the material entanglements of our carefree digital lives" at #mithdd @UMD_MITH right now. Come join!
.@setsukoyokoyama's editorial approach to publishing Robert Frost's talks resists the impulse to cut the recordings into "singles" of specific poems, and instead presents the complete recordings, where the poems are *said* rather than *read*. #mithdd
Great to see @NathanHDize @kcorlett_rivera present on Colony in Crisis as research, as community, and as career in #blackdh. @UMD_MITH @UMD_AADHum #mithdd
The digital humanities is Eurocentric and Canonical. PREACH #mithdd
Art and architectural historians tend to observe rather than explain objects, since their subjective nature eludes definitive treatment or interpretation. #mithdd @adlangmead
MITH is thrilled to start working with summer '22 data curation assistant Amy Cruz! An undergrad in the iSchool, Amy will be working on a natural language processing & topic modeling project w/ transcripts of our #mithdd lecture series. Welcome Amy! mith.umd.edu/people/amy-cruz
We want everyone in our community to stay healthy and the best way to do that right now is to avoid meetings or gatherings. So, with some sadness, we are canceling the remaining Digital Dialogues of the Spring 2020 season. #mithdd
@anna_kijas Why was the MEI created and for whom? Whose music is being encoded? Engaging with these questions is as important as growing music notation data. #mithdd
@anna_kijas : the Verovio editor is a useful tool for introducing beginners to MEI encoding: verovio.org/editor/ #mithdd
From the ARL Digital Scholarship Institute github.com/tech-at-arl/Di… #mithdd
github.com
GitHub - tech-at-arl/Digital-Scholarship-Institute: Repository for course materials and related...
Repository for course materials and related resources for the ARL Digital Scholarship Institute. - GitHub - tech-at-arl/Digital-Scholarship-Institute: Repository for course materials and related r...
@anna_kijas uses "document analysis" to teach text and music encoding starting from pen and paper (idea developed w/ @mdalmau) #mithdd
@anna_kijas Critical (Digital) Pedagogy requires thinking about: Why are we doing this work? Whose voices are included/excluded? The paucity of digital music data, and its re-creation of the established canon makes this even harder #mithdd
@anna_kijas introduces MEI (@musicencoding), its uses, and highlights the existing barriers to learning and adopting it for research. How can this barrier be lowered? #mithdd
The focus of @anna_kijas talk today is the Music Encoding Initiative music-encoding.org #mithdd
If you’d like to follow along with the slides from @anna_kijas talk today, you can find them here: bit.ly/MEIforAll #mithdd
We’re inviting nominations for the 2020 Spring Digital Dialogues. Please consider self-nominating. Early career, established, in academe or independent are welcome: ter.ps/ddspring2020 #mithdd
I'm so excited about @jluwrites and @stilettobrarian 's talk on Hacking #TEI for Black Digital Humanities! #mithdd Join the livestream now! ter.ps/LuPollock #mithdd
What do we mask and what do we face by "accounting", being concerned with Order, data, visual data? #mithdd #BlackDH
Really interesting ideas about connections between visual epistemologies and notions of evidence—what is not attended to because it is not *seen*? @kgbain #mithdd
Now opening for the band TOTAL ELECTRONIC OPERA is grindcore noise trio RADICAL SOFTWARE. #mithdd @gregzinman
We have record breaking attendance at today's #mithdd, thanks to our collaboration with #AADHum and our amazing speaker @jmddrake!
Paik's idea of TOTAL ELECTRONIC OPERA was a metonym for the possibilities of the art form. And a great name for a band. @gregzinman #mithdd
Walter Forsberg is going to talk about building a new a/v digitization program at a national museum (@NMAAHC) at our #mithdd today!
Throughout all the different (digital & print) versions of #frankenstein, the line 'It was on a dreary night of November' is iconic #mithdd
The @monument_lab project asked Philadelphians & visitors to submit their ideas for an appropriate monument for Philadelphia, & almost ~5K people answered. Many women wanted a monument of Sister Rosetta Tharpe. I would tend to agree :). #mithdd @librlaurie
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