Christa Terry, Arts Editor
@CTerryObserver
arts & culture editor at @observer | ART STAN | pitch me: [email protected] (no TV/film reviews) | curious about EVERYTHING | all opinions mine and mine alone
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Overwhelmed? Sad? Frustrated? I recommend you look at my dog for a while.
In a complex two-year process, advisory firm Gurr Johns guided the court-ordered consignment of museum masterworks, which culminated in a white-glove sale that set new records for Utamaro and Hokusai. observer.com/2025/11/auctio…
Stephen Friedman Gallery will close its New York space at the end of February 2026, drawing a firm line under a two-year experiment that—depending on whom you ask—either represents prudent consolidation or yet another sign that the mid-to-upper gallery sector is buckling under…
For the Venezuela-born, New York–based collector, acquiring #art has never been a passive act. #artcollector #collecting observer.com/2025/11/interv…
These are the #books to reach for when winter’s bite makes staying in with a good book the only logical choice. observer.com/list/best-swea…
'Go Cats' by contemporary artist Angela Smyth #WomensArt #Monday
48 Hours of Art in Chicago: CXW, Museums and Monuments to Come observer.com/2025/10/48-hou…
Anthony Kiendl On Unlocking MCA Denver’s Potential and Upending Art World Hierarchies observer.com/2025/11/interv…
The Seventh Lisbon Architecture Triennale Calls for a Radical Rethinking of the Contemporary City observer.com/2025/11/review…
Lu Yang’s Convergence of Technology and Spirituality at Amant observer.com/2025/11/interv…
Shen Wei On “STILL / MOVING” and Finding Harmony Across Disciplines observer.com/2025/11/dance-…
Inside the November Marquee Auctions: What the Market’s Biggest Week Really Revealed #art #money #artmarket #getrich observer.com/2025/11/novemb…
Marilyn Minter Is Camera Ready. The 77-year-old artist has spent her career observing others. Now, with the documentary “Pretty Dirty: The Life and Times of Marilyn Minter,” she becomes the star. By @Thessaly nytimes.com/2025/11/23/sty…
The artist's three-part solo exhibition, "At the Excavation Site," at Crèvecœur traces how memory, light and mythic perception converge to shape our experience of reality. trib.al/0Cn8YbU
Today’s Editor’s Pick is 'Art Market Reporters Are Getting It All Wrong' by @MarcStrausBooks for @hyperallergic. In a pointed opinion piece, Straus fills in the gaps left by art-market reporters about the market’s downturns and rebounds. hyperallergic.com/1058944/art-ma…
The Most Watched Auctioneer in the World Isn’t Who the Industry Expected observer.com/2025/11/interv…
If a good print of the movie on a regular screen "doesn't do it for you" but this overpriced gaudy cheeseball horseshit does, you may need to rethink your life. "Tickets generally start around $114 to $135 for basic seating."
Sphere’s ‘The Wizard of Oz’ Walks an Uneasy Line Between Cinematic Enchantment and A.I. Slop observer.com/2025/11/review…
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