The Ankler
@TheAnkler
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.@richardrushfield pulled a decade of box office data and found a pattern studios can’t ignore. The biggest North American hits are earning a shrinking share of their money overseas, and the trend line is pointing one way: down. Read the column: theankler.com/p/one-chart-th…
On 12/6 at 2PM, join @natjarv, two-time Olympian and gold medalist Jordan Chiles and actor, athlete, and entrepreneur @noahbeck at @Meta Lab West Hollywood. They'll speak about earning recognition as athletes and expanding into creative brands. RSVP: rsvp.zkipster.com/_3gx15
‘Zootopia 2’ delivered a $556 million worldwide Thanksgiving haul, one of Disney’s strongest holiday openings in years. @richardrushfield and @theseanmac break down the surprise surge and what it means for the winter slate theankler.com/p/richard-and-…
Katey Rich talks with Channing Tatum and Kirsten Dunst about playing characters who cling to childlike fantasy even as adulthood crashes in, and why that made ‘Roofman’ such a moving experience theankler.com/p/channing-tat…
.@elainelow digs into Netflix’s latest move to poach kids from YouTube by repackaging Mark Rober’s biggest hits, plus a look at how A-listers crowd out animation voice pros as AI pressures rise. Plus, take a survey on where Hollywood is heading theankler.com/p/netflix-raid…
.@elainelow joined @HallieJackson NOW on @NBCNewsNow to unpack how AI is reshaping ads and why working actors feel the crunch as brands favor celebrities and redirect budgets toward new formats like pause ads and influencer marketing youtu.be/zWr3zWGKzB0?si…
In her conversation with @therock, Katey Rich hears how playing Mark Kerr in 'The Smashing Machine' became a turning point in his life, why Benny Safdie never stopped pushing for the film, and what Johnson is chasing next theankler.com/p/dwayne-johns…
Have we been underestimating 'Avatar?' @kateyrich and @blankcheckpod’s @GriffLightning assess how the Avatar films are in a weird spot in pop culture: enormous hits when released, somewhat forgotten between films and never given Oscar respect prestigejunkieafterparty.substack.com/p/what-if-avat…
Co-director Gastón Zilberman tells Thom Powers that 'Qotzuñi: People of the Lake', a documentary about the Uru community in Bolivia as their ancestral lake disappears, has created real-world impact, funding family businesses, school supplies and community projects…
Producer Sarah Schoellkopf tells Thom Powers that 'Norita', a documentary on the life and activism of Nora Cortiñas, prompts viewers to act. She's met audiences from Argentina to the American South who leave ready to protest, organize or contact officials bit.ly/4p5viET
WATCH: Member Katey Rich (@kateyrich) reunites with the Little Gold Men team for Prestige Junkie After Party on the Ankler (@theankler): prestigejunkieafterparty.substack.com/p/reunion-my-o…
‘Put Your Soul on Your Hand and Walk’ director Sepideh Farsi speaks with Thom Powers about meeting Fatma Hassona, the 24-year-old Gaza photojournalist whose determination to document the war guided the film. Full conversation: anklerenjoy.com/events/put-you…
In conversation with Thom Powers, Bao Nguyen shares how 'Child of Dust' balances an outsider’s eye with deep engagement from the Vietnamese community and why empathy guided the film’s approach: anklerenjoy.com/events/child-o…
On Thanksgiving, millions are sitting around a TV watching the parade, or football... and a whole lot of ads. @elainelow reports how A-listers moving into national commercials are squeezing out the middle-class actors who once relied on that work: theankler.com/p/a-listers-st…
In Crowd Pleaser, a new column from @TheAnkler and @letterboxd, Matthew Frank drives cross-country visiting US movie theaters to find out how they’re weathering industry changes. Discover this week’s essential film finds in the latest Rushes. mubi.com/en/notebook/po…
Why do classic comedies still dominate the charts? Veteran comedy writer @JayKogen tells @richardrushfield that shows like Friends and The Office built loyalty through hundreds of episodes, while modern series drop six or eight and vanish for years. Full conversation:…
Mariska Hargitay tells Thom Powers how sharing her story while making ‘My Mom Jayne’ became a way to move through long-held pain and connect with viewers who see their own secrets reflected back: anklerenjoy.com/events/my-mom-…
Hallmark’s holiday machine may still dominate, but license fees, actor costs and foreign sales are squeezing margins. @Snoodit talks to more than a dozen insiders about how the holiday movie business is shifting: theankler.com/p/the-ruthless…
‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ racked up $733 million worldwide. At The Ankler x @letterboxd's Crowd Pleaser Live, director Haruo Sotozaki and director of photography Yuichi Terao walk @elainelow through anime’s rise from niche to global force…
This week for @TheAnkler: A deep dive into the business of holiday programming theankler.com/p/the-ruthless…
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