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Hollywood can’t reverse-engineer a meme, @delia_cai tells @RichardRushfield. To truly court the next generations, studios should recognize and reward the people who make them theankler.com/p/rushfield-lu…
Angel Studios’ $1.6B SPAC valuation and A24’s $3.5B raise both looked sky-high. Now, with Angel’s losses mounting and A24’s flops piling up, @EntStrategyGuy runs the numbers and the math doesn’t add up theankler.com/p/a24-angel-st…
In a twist worthy of The Traitors, America is in love with reality TV again. @elainelow, @theseanmac, and @natjarv break down why the genre is thriving, from quick production to casting creators who produce an ecosystem of promo content theankler.com/p/the-shocking…
This week for @TheAnkler: Which brings better value to NBCUni, the NBA or more Dick Wolf procedurals? The answer may surprise you! theankler.com/p/the-battle-f…
“Content” will not just become part of a vast unknowable void; it will be actually separated from its creators, torn away to serve the needs of a machine and a formula, rather than any artistic vision of any sort." A must read piece over on @TheAnkler 🎬 theankler.com/p/our-close-en…
To @rcbl, Paramount buying Warner Bros. is like a wisdom tooth pull: a painful, costly procedure masquerading as progress theankler.com/p/ellisons-par…
NBC is benching three hours of scripted TV a week for NBA games that cost $2.45 billion a year. @Snoodit crunches the numbers on which play makes better business sense: live sports or profitable Dick Wolf dramas theankler.com/p/the-battle-f…
.@richardrushfield sits down with Kirsten Dunst and Derek Cianfrance to unpack Roofman: a tender, true-story romance set in a Toys “R” Us. Dunst’s quiet power anchors the film and could finally earn her an overdue Oscar: theankler.com/p/bradley-coop…
TODAY AT 11:30AM PT: @richardrushfield welcomes one of the internet's bright lights: @delia_cai, writer of the unmissable Deez Links newsletter to The Rushfield Lunch. Join their conversation on Substack Live: open.substack.com/live-stream/68…
Chase Infiniti tells Katey Rich what it’s really like to be on a Paul Thomas Anderson set, where collaboration runs so deep the director is right beside you in the field, figuring it out together. Listen to their conversation on One Battle After Another: theankler.com/p/chase-infini…
How do you turn a 20-year-old network show into a TikTok hit? @natjarv talks with Alix Earle and “Dancing With the Stars” producers about the creator-led strategy that made the ballroom go viral again theankler.com/p/how-dancing-…
🎬 Marketing the movies: @warnerbros Dana Nussbaum + Christian Davin & @theseanmac of @TheAnkler pull back the curtain on how storytelling, data, and creativity drive campaigns, integrate digital & OOH, and move audiences seamlessly from screen to screen. #VideoEverywhereSummit
Nvidia is worth 100 Disneys. Tech giants are cozy with Washington. And AI companies are racing to own Hollywood’s creative DNA. @richardrushfield asks: if this is the fight of our lives, why is no one in Hollywood acting like it? theankler.com/p/our-close-en…
Animation is now nearly a third of the global box office. UTA animation agent Strawn Dixon tells @ashleycullins how filmmakers moving between studios are fueling bigger hits, stronger deals, and a boom in original storytelling theankler.com/p/animation-bo…
"I feel like she elevates everyone around her." Katey Rich, @chrisjrosen and @richardrushfield each shared five films that capture Diane Keaton's fearless, funny brilliance and her knack for bringing the best out of her co-stars: theankler.com/p/richard-kate…
Light cycles, a Trent Reznor score and nostalgia couldn’t save Tron: Ares from a dim debut. @richardrushfield and @theseanmac explain what went wrong, who showed up, and why the film’s stumble says more about the industry than fans: theankler.com/p/richard-and-…
Bradley Cooper plays a guy named Balls…and might just land an Oscar nod for it. Is This Thing On? isn’t a grand swing like Maestro, but @chrisjrosen thinks its warmth and restraint could make this Cooper’s most likable film yet theankler.com/p/bradley-coop…
Hulu wants more “MomTok” chaos. Fox is reviving Fear Factor. Netflix is making Monopoly a game show. @elainelow charts the strange, crowded new era of unscripted TV and why agents say it’s all about who can yell the loudest theankler.com/p/outpitch-out…
READ: Member Katey Rich (@kateyrich) looks at female sexuality in #sinners #taylorswift and more, for The Ankler (@theankler): theankler.com/p/thighs-wide-…
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