complexfields's profile picture. Artist, researcher, fan. Co-author with @ned_ogorman of LOOKOUT AMERICA! The Secret Hollywood Studio at the Heart of the Cold War http://kevinhamilton.org

Kevin Hamilton

@complexfields

Artist, researcher, fan. Co-author with @ned_ogorman of LOOKOUT AMERICA! The Secret Hollywood Studio at the Heart of the Cold War http://kevinhamilton.org

Interrupting this long silence to express my appreciation for receiving a picture in my inbox of the great video artist Tony Cokes wearing a Burial shirt.


Kevin Hamilton أعاد

In Fall 01968, @stewartbrand put the Whole Earth Catalog out into the world. 55 years later, our friends at @grayareaorg and the @internetarchive are launching the Whole Earth Index: a nearly complete free online archive of Whole Earth publications. wholeearth.info


Happy Birthday to Lynda Carter, Frederick Law Olmstead, Summer Glau, Oswald Chambers…and me. 50 years of cosmic travel, and blessed for every day of it. Meanwhile a painting of my best predecessor in the dean role randomly showed up in the office. Cheers!

complexfields's tweet image. Happy Birthday to Lynda Carter, Frederick Law Olmstead, Summer Glau, Oswald Chambers…and me. 50 years of cosmic travel, and blessed for every day of it.    

Meanwhile a painting of my best predecessor in the dean role randomly showed up in the office. Cheers!

Returning today to Arney’s book on atomic scientists as “dead but real executives of the inevitable.”

complexfields's tweet image. Returning today to Arney’s book on atomic scientists as “dead but real executives of the inevitable.”

Photo by one son of me and the other son watching Mars and Venus in the Arizona sky last night.

complexfields's tweet image. Photo by one son of me and the other son watching Mars and Venus in the Arizona sky last night.

First lightning bug of summer spotted.


Last summer @JohannaGosse and I finally realized a thing among many we had hopes of making together (and hopefully will return to). Grateful to have the invitation from @machines_in as our impetus and host. You can hear it here now: machinesinbetween.com/episodes/infin…


Kevin Hamilton أعاد

On Infinity 88 Listening Hour 100 you’ll be exposed to an exquisite piece from Johanna Gosse and Kevin Hamilton on spectacle, the atomic bomb, and the limits of human perception. And you will hear another deep cut from Susannah Crockford’s Conspiracy EP. machinesinbetween.com/episodes/infin…


Kevin Hamilton أعاد

The track, recorded as "Man eaten by alligator; screams," has become iconic. Take #5 was first used in 1951's "Distant Drums," before sound designer Ben Burtt incorporated it into Star Wars & Indiana Jones. 2/2 archive.org/details/SSE_Li…

internetarchive's tweet card. SSE Library: VOICES : Free Download, Borrow, and Streaming : Internet...

archive.org

SSE Library: VOICES : Free Download, Borrow, and Streaming : Internet...


Kevin Hamilton أعاد

We partnered with @SMUDataArts by providing data for research that demonstrates the multiple ways that LAA have an impact in their communities. Read more below. culturaldata.org/local-arts-age…


I missed that artist Gardner Post died earlier this year. His agitational video work with EBN really got to me back in the day. I hope designer Willie Williams acknowledges some debt there as he returns to Zoo TV for the upcoming Las Vegas blitz. youtube.com/@gardnerpost65…


"Welcome to the NO DATA INSTITUTE — our mission is complete privacy and we are committed to creating a world in which recording is no longer permitted, and information is never stored." nostorage.land


I do love seeing a John Ahearn reference on an album cover.


Twins interacting with @DenverArtMuseum architecture, parts one (Silvetti 2021) and two (Ponti 1971)

complexfields's tweet image. Twins interacting with @DenverArtMuseum architecture, parts one (Silvetti 2021) and two (Ponti 1971)
complexfields's tweet image. Twins interacting with @DenverArtMuseum architecture, parts one (Silvetti 2021) and two (Ponti 1971)

This year my father (a lifetime student of the scriptures) noticed for the first time how the story describes the shepherds as -living- in those fields. Reading this poem, I thought for the first time of their return to those same fields in the dark: richardbauckham.co.uk/wp-content/upl…


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