#dissolvingview search results
Gisteren (21/09) naar het open huis bij kunstschilder Henrie Vogel op het Kampereiland. Fijne omgeving en goed om de recente ontwikkelingen met het ''aquarelleren'' te zien. #kamperkunst #kampereiland #dissolvingview #openhuis
Skladanowsky's ‘Dissolving Views’ were presented at popular venues like the Town Hall in Berlin. Skladanowsky will build his ‘Bioscop’ (below) projector basing it on the #DissolvingView technique.
1879 DISSOLVING VIEWS AT NEBULA PICTURES At sixteen years of age, along with brother Emile, Max #Skladanowsky helps father Carl to present his 'Nebula Pictures', which were magic lantern #DissolvingViews of natural disasters. Below: how a dissolving view would have looked like.
'Dissolving Views' were introduced by Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed Lanternists to 'dissolve' one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Child was able to project a sort of #animation.
Here is a primitive #DissolvingView Lantern or, Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth transition from one slide to the next. #fadein #fadeout This in turn, provided a sense of motion from picture to…
1888 Here is a #PanoramaStereopticon made by James W. Queen & Co., #Philadelphia, 1888. A #Stereopticon is a kind of double Magic Lantern continuously projecting (minus space between the images) a series of positive views on glass. There are two types of devices. One kind of…
The Protean View can be easily confused with the ‘Thaumatrope’ or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
'Dissolving Views' were introduced by Henry Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed the dissolving of one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Childe was able to project an #animated transition.
Philipstals lantern shows were known to have sat on tracks or rails. Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
Philipsthal not only introduced the phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as Melting Sights, or Mist Pictures. Below, how a Dissolving View slide would appear. -30-
1803 PAUL M. PHILIPSTHAL (PHILIDOR) (1760–1829) #Philipstal provided presentations with his version of the #phantasmagoria as reported by Brewster. Philipsthals larger shows were at venues like the Lyceum, Strand. #Lyceum handbill below.
Philipstal’s lantern shows were known to have sat on tracks or rails. His Phantasmagoria visions were seen upon a #translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
More than a century before #Kircher, the history of #Cellini reports a #Phantasmagoria -type show presented at the #Coliseum, Rome (1540). This is documented by #ThomasRoscoe in his ‘Life of Benvenuto Cellini.’ Below, a handbill of a performance by Philipstal from 1791.
Illumination was oxy-hydrogen fed. Noakes and Son were the inventors and patentee. They were the makers of exquisite Bi and #TriunialMagicLanterns, lime light apparatus, lantern slides for #DissolvingView presentations. They also made Unial lanterns. Images Antiq-Photo.
The Noakes Triple Triunial lantern, has six doors, two handles, three projection lenses housed in varnished copper with dimensions of 23 inches long, 11 inches wide, 34.5 inches high. Images Antiq-Photo.
#Philipsthal not only introduced the #phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as #MeltingSights, or #MistPictures. Below, how a Dissolving View slide would appear. -30-
Philipstals lantern shows were known to have sat on tracks or rails. #Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
The #ProteanView can be easily confused with the #Thaumatrope or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
Here is a primitive #DissolvingView Lantern or, #Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth #transition from one slide to the next. This in turn, provided a sense of motion from picture to picture.
An optional use of the Chameleon is to use two of them, allowing you to #superimpose views without apparent transition. This is later called a cross-fade in #filmmaking, and grew out of the #DissolvingView.
Pictured; an incandescent bulb used in the Massiot Chameleon of 2.5 amps / 110 volts.
The Protean View can be easily confused with the Thaumatrope or even the #DissolvingView. I would also say it is similar to a Peep Show. In Germany it’s called Guckkasten and in France boîte d'optique. This Protean View below is called The #Pyramids of #Egypt. #Guckkasten
Protean refers to Proteus, the mythological master of disguise. In ancient Greece, #Proteus was the shepherd for Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below a Protean View of The #Amphitheatre of Rome.
Here is a primitive #DissolvingView Lantern or, Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth transition from one slide to the next. #fadein #fadeout This in turn, provided a sense of motion from picture to…
1888 Here is a #PanoramaStereopticon made by James W. Queen & Co., #Philadelphia, 1888. A #Stereopticon is a kind of double Magic Lantern continuously projecting (minus space between the images) a series of positive views on glass. There are two types of devices. One kind of…
Illumination was oxy-hydrogen fed. Noakes and Son were the inventors and patentee. They were the makers of exquisite Bi and #TriunialMagicLanterns, lime light apparatus, lantern slides for #DissolvingView presentations. They also made Unial lanterns. Images Antiq-Photo.
The Noakes Triple Triunial lantern, has six doors, two handles, three projection lenses housed in varnished copper with dimensions of 23 inches long, 11 inches wide, 34.5 inches high. Images Antiq-Photo.
The Protean View can be easily confused with the Thaumatrope or even the #DissolvingView. I would also say it is similar to a Peep Show. In Germany it’s called Guckkasten and in France boîte d'optique. This Protean View below is called The #Pyramids of #Egypt. #Guckkasten
Protean refers to Proteus, the mythological master of disguise. In ancient Greece, #Proteus was the shepherd for Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below a Protean View of The #Amphitheatre of Rome.
Philipstal’s lantern shows were known to have sat on tracks or rails. His Phantasmagoria visions were seen upon a #translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
More than a century before #Kircher, the history of #Cellini reports a #Phantasmagoria -type show presented at the #Coliseum, Rome (1540). This is documented by #ThomasRoscoe in his ‘Life of Benvenuto Cellini.’ Below, a handbill of a performance by Philipstal from 1791.
An optional use of the Chameleon is to use two of them, allowing you to #superimpose views without apparent transition. This is later called a cross-fade in #filmmaking, and grew out of the #DissolvingView.
Pictured; an incandescent bulb used in the Massiot Chameleon of 2.5 amps / 110 volts.
Here is a primitive #DissolvingView Lantern or, #Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth #transition from one slide to the next. This in turn, provided a sense of motion from picture to picture.
The Protean View can be easily confused with the ‘Thaumatrope’ or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
Philipsthal not only introduced the phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as Melting Sights, or Mist Pictures. Below, how a Dissolving View slide would appear. -30-
1803 PAUL M. PHILIPSTHAL (PHILIDOR) (1760–1829) #Philipstal provided presentations with his version of the #phantasmagoria as reported by Brewster. Philipsthals larger shows were at venues like the Lyceum, Strand. #Lyceum handbill below.
Philipstals lantern shows were known to have sat on tracks or rails. Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
The #ProteanView can be easily confused with the #Thaumatrope or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
Skladanowsky's ‘Dissolving Views’ were presented at popular venues like the Town Hall in Berlin. Skladanowsky will build his ‘Bioscop’ (below) projector basing it on the #DissolvingView technique.
1879 DISSOLVING VIEWS AT NEBULA PICTURES At sixteen years of age, along with brother Emile, Max #Skladanowsky helps father Carl to present his 'Nebula Pictures', which were magic lantern #DissolvingViews of natural disasters. Below: how a dissolving view would have looked like.
'Dissolving Views' were introduced by Henry Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed the dissolving of one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Childe was able to project an #animated transition.
#Philipsthal not only introduced the #phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as #MeltingSights, or #MistPictures. Below, how a Dissolving View slide would appear. -30-
Philipstals lantern shows were known to have sat on tracks or rails. #Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
Philipstals lantern shows were known to have sat on tracks or rails. #Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
A century before Kirchers show (1644), the history of #CELLINI reports on a #phantasmagoria -type show presented at the #Coliseum, Rome (1540), documented by Roscoe in his ‘Life of Benvenuto Cellini’. Below a handbill of a performance by Phylidor/Philipstal from 1791.
'Dissolving Views' were introduced by Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed Lanternists to 'dissolve' one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Child was able to project a sort of #animation.
Gisteren (21/09) naar het open huis bij kunstschilder Henrie Vogel op het Kampereiland. Fijne omgeving en goed om de recente ontwikkelingen met het ''aquarelleren'' te zien. #kamperkunst #kampereiland #dissolvingview #openhuis
Gisteren (21/09) naar het open huis bij kunstschilder Henrie Vogel op het Kampereiland. Fijne omgeving en goed om de recente ontwikkelingen met het ''aquarelleren'' te zien. #kamperkunst #kampereiland #dissolvingview #openhuis
Skladanowsky's ‘Dissolving Views’ were presented at popular venues like the Town Hall in Berlin. Skladanowsky will build his ‘Bioscop’ (below) projector basing it on the #DissolvingView technique.
1879 DISSOLVING VIEWS AT NEBULA PICTURES At sixteen years of age, along with brother Emile, Max #Skladanowsky helps father Carl to present his 'Nebula Pictures', which were magic lantern #DissolvingViews of natural disasters. Below: how a dissolving view would have looked like.
'Dissolving Views' were introduced by Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed Lanternists to 'dissolve' one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Child was able to project a sort of #animation.
The Protean View can be easily confused with the ‘Thaumatrope’ or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
'Dissolving Views' were introduced by Henry Childe at the Royal Polytechnic Institution, London. Traditionally a single lens instrument, the magic lantern became biunial and then triunial as a result of the #dissolvingview. This allowed the dissolving of one slide into another.
1840's HENRY LANGDON CHILDE (1792-1874) Childe attempted the #DissolvingViews by placing different sources of light behind various painted glass plates. By diminishing the light as one scene was changed to the other, Childe was able to project an #animated transition.
Philipstals lantern shows were known to have sat on tracks or rails. Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
Philipsthal not only introduced the phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as Melting Sights, or Mist Pictures. Below, how a Dissolving View slide would appear. -30-
1803 PAUL M. PHILIPSTHAL (PHILIDOR) (1760–1829) #Philipstal provided presentations with his version of the #phantasmagoria as reported by Brewster. Philipsthals larger shows were at venues like the Lyceum, Strand. #Lyceum handbill below.
Illumination was oxy-hydrogen fed. Noakes and Son were the inventors and patentee. They were the makers of exquisite Bi and #TriunialMagicLanterns, lime light apparatus, lantern slides for #DissolvingView presentations. They also made Unial lanterns. Images Antiq-Photo.
The Noakes Triple Triunial lantern, has six doors, two handles, three projection lenses housed in varnished copper with dimensions of 23 inches long, 11 inches wide, 34.5 inches high. Images Antiq-Photo.
The #ProteanView can be easily confused with the #Thaumatrope or even the #DissolvingView. We would also think of it as similar to a peep show. In Germany it’s called ‘Guckkasten’ and in France ‘boîte d'optique’. This Protean View below is called ‘The Pyramids of Egypt’.
Protean refers to #Proteus, the mythological master of disguise. To the ancient Greeks, Proteus was the shepherd who looked after Poseidon's sea creatures. The dictionary defines protean as “variable; easily changing; or continually changing.” Below, ‘The #Amphitheater of Rome.’
#Philipsthal not only introduced the #phantasmagoria into England, he also invented the idea of the #DissolvingView. ‘Dissolving Views’ were also known as #MeltingSights, or #MistPictures. Below, how a Dissolving View slide would appear. -30-
Philipstals lantern shows were known to have sat on tracks or rails. #Phantasmagoria visions were seen upon a translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
Philipstal’s lantern shows were known to have sat on tracks or rails. His Phantasmagoria visions were seen upon a #translucent sheet or similar material as opposed to the #DissolvingView where an opaque background was required.
More than a century before #Kircher, the history of #Cellini reports a #Phantasmagoria -type show presented at the #Coliseum, Rome (1540). This is documented by #ThomasRoscoe in his ‘Life of Benvenuto Cellini.’ Below, a handbill of a performance by Philipstal from 1791.
An optional use of the Chameleon is to use two of them, allowing you to #superimpose views without apparent transition. This is later called a cross-fade in #filmmaking, and grew out of the #DissolvingView.
Pictured; an incandescent bulb used in the Massiot Chameleon of 2.5 amps / 110 volts.
Here is a primitive #DissolvingView Lantern or, #Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth #transition from one slide to the next. This in turn, provided a sense of motion from picture to picture.
Here is a primitive #DissolvingView Lantern or, Fading Device consisting of movable shutters allowing the lanternist to fade the image in or out providing a smooth transition from one slide to the next. #fadein #fadeout This in turn, provided a sense of motion from picture to…
1888 Here is a #PanoramaStereopticon made by James W. Queen & Co., #Philadelphia, 1888. A #Stereopticon is a kind of double Magic Lantern continuously projecting (minus space between the images) a series of positive views on glass. There are two types of devices. One kind of…
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