#issue111 search results

You can read the January edition of HA Magazine online at hamag.co.uk #Issue111


Congrats to my friend #Khyzyl Saleem for his feature #AdvancedPhotoshop #Issue111 - #DeadAstronauts Wallpaper!... fb.me/2OkcoXE0W


A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111 oxfordamerican.org/magazine/issue… 📷 by Edward Colver

oxfordamerican's tweet image. A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111

oxfordamerican.org/magazine/issue…

📷 by Edward Colver

“I listened to the song with ears that no longer rang with threats of hellfire and eternal damnation, and I fell madly in love.” —From @JasonKyleHoward’s essay in the “Archive” section of our #GreatestHitsMusicIssue. #Issue111 Illustration by @IsipXin oxfordamerican.org/magazine/item/…

oxfordamerican's tweet image. “I listened to the song with ears that no longer rang with threats of hellfire and eternal damnation, and I fell madly in love.”

—From @JasonKyleHoward’s essay in the “Archive” section of our #GreatestHitsMusicIssue. #Issue111

Illustration by @IsipXin 
oxfordamerican.org/magazine/item/…

Congratulations to friend of the OA @NifMuhammad on this huge accomplishment! Check out the playlist he curated for #Issue111 here: oxfordamerican.org/magazine/issue…

This post is unavailable.

“Perhaps there is a kind of creativity that is far mightier than the grave.” —From @danielleamir’s introduction to the “Icons” section of our #GreatestHits #OAMusicIssue. Art by Carter/Reddy. #Issue111. ow.ly/IMAr50CgRsS

oxfordamerican's tweet image. “Perhaps there is a kind of creativity that is far mightier than the grave.” 
—From @danielleamir’s introduction to the “Icons” section of our #GreatestHits #OAMusicIssue. Art by Carter/Reddy. #Issue111.
ow.ly/IMAr50CgRsS

#Issue111 of @thecontinent_ is out today: Making the slave-owners pay, #slavery #reparations; #Nigeria +#SouthAfrica economies falter as #Egypt surges; #Africa #Cinema 2023; bad #passports; stories to watch 2023; #poverty; currency redesign #Nigeria?;more! thecontinent.org/_files/ugd/287…


“We encourage any eager listeners to take a sonic stroll through the Folkways catalog.” —From Smithsonian Folkways' Greatest Hits playlist, compiled by @JWilliger for our #GreatestHitsMusicIssue. #Issue111 Art: Illustrations by @funkaldelyfunk. ow.ly/3c5A50CABz6

oxfordamerican's tweet image. “We encourage any eager listeners to take a sonic stroll through the Folkways catalog.”

—From Smithsonian Folkways' Greatest Hits playlist, compiled by @JWilliger for our #GreatestHitsMusicIssue. #Issue111

Art: Illustrations by @funkaldelyfunk.

ow.ly/3c5A50CABz6

“I had become a strange, wild thing away from home—even to myself.” —From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 Photo by Christine Parry. Courtesy Women Make Movies. ow.ly/BFjT50D5itI

oxfordamerican's tweet image. “I had become a strange, wild thing away from home—even to myself.”

—From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 

Photo by Christine Parry. Courtesy Women Make Movies.
ow.ly/BFjT50D5itI

“You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.” —We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday. ow.ly/9wjT50MVpnK Art: @dianaejaita

oxfordamerican's tweet image. “You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.”
 
—We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday.

ow.ly/9wjT50MVpnK

Art: @dianaejaita

Spencer died as he lived: touching himself. #Issue111


For your Sunday listening pleasure: a playlist curated by @NifMuhammad highlighting Black women who carry on the sonic and storytelling traditions of those who came before them. #Issue111 #ReadOA Listen here: ow.ly/SP6j50PRklC


“You see, the South just has a thang. It gets INTO you. And there is no historian like the music created here.” —Read guest editor @blkfootwhtfoot’s introduction—and listen to her playlist!—at the link. Art by Anthony Harrison #Issue111 ow.ly/C18l50C5kGP

oxfordamerican's tweet image. “You see, the South just has a thang. It gets INTO you. And there is no historian like the music created here.”
 
—Read guest editor @blkfootwhtfoot’s introduction—and listen to her playlist!—at the link. Art by Anthony Harrison #Issue111 ow.ly/C18l50C5kGP

“Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.” —Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111. oxfordamerican.org/magazine/issue… Image: NinaSimone.com

oxfordamerican's tweet image. “Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.”

—Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111.

oxfordamerican.org/magazine/issue…

Image: NinaSimone.com

#issue111 5 กุมภาพันธ์ 󾮗󾮗 󾆶󾆶󾆶 MiX MAGAZINE ฉบับนี้อบอวลไปด้วยความหอมหวาน และเสน่ห์ของนางเอกสาวสวย "มิว นิษฐา... fb.me/27P8UNxiE


Make your summer LOUD with Issue #111 of Fireworks! 🤘 164 pages, 41 interviews, 35 pages of reviews + features on Helloween, Lita Ford, Volbeat, Jeff Wayne & more! Grab your copy now 👉 fireworks-magazine.com/category/all-p… #Rock #Metal #Issue111

Fireworks_Mag's tweet image. Make your summer LOUD with Issue #111 of Fireworks! 🤘 164 pages, 41 interviews, 35 pages of reviews + features on Helloween, Lita Ford, Volbeat, Jeff Wayne & more! Grab your copy now 👉 fireworks-magazine.com/category/all-p… #Rock #Metal #Issue111

A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111 oxfordamerican.org/magazine/issue… 📷 by Edward Colver

oxfordamerican's tweet image. A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111

oxfordamerican.org/magazine/issue…

📷 by Edward Colver

Jazz visionary Thelonious Sphere Monk was born on this day in 1917. @SamStephenson12 wrote about Monk's life and background in a piece titled “Is This Home?” in #Issue58, and @blkfootwhtfoot chose it as one of OA’s Greatest Hits in 2020 for #Issue111. oxfordamerican.org/magazine/issue…

oxfordamerican's tweet image. Jazz visionary Thelonious Sphere Monk was born on this day in 1917. @SamStephenson12 wrote about Monk's life and background in a piece titled “Is This Home?” in #Issue58, and @blkfootwhtfoot chose it as one of OA’s Greatest Hits in 2020 for #Issue111. 
oxfordamerican.org/magazine/issue…

“I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 oxfordamerican.org/magazine/issue… 📷Christine Parry. c/o @womenmakemovies #ReadOA #MusicIssues #Memphis #OxfordAmerican

oxfordamerican's tweet image. “I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 

oxfordamerican.org/magazine/issue…

📷Christine Parry. c/o @womenmakemovies

#ReadOA #MusicIssues #Memphis #OxfordAmerican

For your Sunday listening pleasure: a playlist curated by @NifMuhammad highlighting Black women who carry on the sonic and storytelling traditions of those who came before them. #Issue111 #ReadOA Listen here: ow.ly/SP6j50PRklC


“You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.” —We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday. ow.ly/9wjT50MVpnK Art: @dianaejaita

oxfordamerican's tweet image. “You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.”
 
—We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday.

ow.ly/9wjT50MVpnK

Art: @dianaejaita

#Issue111 of @thecontinent_ is out today: Making the slave-owners pay, #slavery #reparations; #Nigeria +#SouthAfrica economies falter as #Egypt surges; #Africa #Cinema 2023; bad #passports; stories to watch 2023; #poverty; currency redesign #Nigeria?;more! thecontinent.org/_files/ugd/287…


“I think as long as there’s social unrest in America, there’s gonna be an appetite for the blues.” —On @adiavictoria's birthday, we're revisiting 2017 interview "A Political Blues" (ow.ly/v8hF50K1fQA). Plus, check out her playlist from #Issue111: ow.ly/fzsU50K1fQz

oxfordamerican's tweet image. “I think as long as there’s social unrest in America, there’s gonna be an appetite for the blues.”

—On @adiavictoria's birthday, we're revisiting 2017 interview "A Political Blues" (ow.ly/v8hF50K1fQA). Plus, check out her playlist from #Issue111: ow.ly/fzsU50K1fQz

“Big and basic, down-to-earth, Howlin’ Wolf seemed driven by the existential necessity of the blues to the end. His art defined him.” —On Yusef Komunyakaa’s birthday today, we’re reading his reflections on Howlin’ Wolf from #Issue111. ow.ly/7whh50ITsiY Photo: Brian Smith

oxfordamerican's tweet image. “Big and basic, down-to-earth, Howlin’ Wolf seemed driven by the existential necessity of the blues to the end. His art defined him.”

—On Yusef Komunyakaa’s birthday today, we’re reading his reflections on Howlin’ Wolf from #Issue111.

ow.ly/7whh50ITsiY

Photo: Brian Smith

“Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.” —Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111. oxfordamerican.org/magazine/issue… Image: NinaSimone.com

oxfordamerican's tweet image. “Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.”

—Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111.

oxfordamerican.org/magazine/issue…

Image: NinaSimone.com

Congratulations to friend of the OA @NifMuhammad on this huge accomplishment! Check out the playlist he curated for #Issue111 here: oxfordamerican.org/magazine/issue…

This post is unavailable.

“I start plotting new points on a new map: a country-soul five-pointed star.” —@MsAliceRandall rethinks the borders of Southern music in “The Way They Strut” from #Issue111. Read it to learn more about our 2021 Music Issue theme! ow.ly/OV3z50G1Au8 Art by: Garrett Bradley

oxfordamerican's tweet image. “I start plotting new points on a new map: a country-soul five-pointed star.”

—@MsAliceRandall rethinks the borders of Southern music in “The Way They Strut” from #Issue111. Read it to learn more about our 2021 Music Issue theme!
ow.ly/OV3z50G1Au8

Art by: Garrett Bradley

“I had become a strange, wild thing away from home—even to myself.” —From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 Photo by Christine Parry. Courtesy Women Make Movies. ow.ly/BFjT50D5itI

oxfordamerican's tweet image. “I had become a strange, wild thing away from home—even to myself.”

—From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 

Photo by Christine Parry. Courtesy Women Make Movies.
ow.ly/BFjT50D5itI

“As the late, great Jim Dickinson kept reminding us, world boogie was coming.” —From @cynthiashearer’s “Celestial Jukebox,” from our #GreatestHitsMusicIssue. #Issue111 Art: Illustrations by @funkaldelyfunk ow.ly/MFt450COfcZ

oxfordamerican's tweet image. “As the late, great Jim Dickinson kept reminding us, world boogie was coming.”

—From @cynthiashearer’s “Celestial Jukebox,” from our #GreatestHitsMusicIssue. #Issue111 

Art: Illustrations by @funkaldelyfunk
ow.ly/MFt450COfcZ

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“I listened to the song with ears that no longer rang with threats of hellfire and eternal damnation, and I fell madly in love.” —From @JasonKyleHoward’s essay in the “Archive” section of our #GreatestHitsMusicIssue. #Issue111 Illustration by @IsipXin oxfordamerican.org/magazine/item/…

oxfordamerican's tweet image. “I listened to the song with ears that no longer rang with threats of hellfire and eternal damnation, and I fell madly in love.”

—From @JasonKyleHoward’s essay in the “Archive” section of our #GreatestHitsMusicIssue. #Issue111

Illustration by @IsipXin 
oxfordamerican.org/magazine/item/…

“We encourage any eager listeners to take a sonic stroll through the Folkways catalog.” —From Smithsonian Folkways' Greatest Hits playlist, compiled by @JWilliger for our #GreatestHitsMusicIssue. #Issue111 Art: Illustrations by @funkaldelyfunk. ow.ly/3c5A50CABz6

oxfordamerican's tweet image. “We encourage any eager listeners to take a sonic stroll through the Folkways catalog.”

—From Smithsonian Folkways' Greatest Hits playlist, compiled by @JWilliger for our #GreatestHitsMusicIssue. #Issue111

Art: Illustrations by @funkaldelyfunk.

ow.ly/3c5A50CABz6

“Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.” —Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111. oxfordamerican.org/magazine/issue… Image: NinaSimone.com

oxfordamerican's tweet image. “Nina sits wearing a long dress, her hands playing a floating wave of piano keys suspended in front of her.”

—Celebrate Nina Simone’s birthday by revisiting @TianaClarkPoet’s “Nina Is Everywhere I Go” from #Issue111.

oxfordamerican.org/magazine/issue…

Image: NinaSimone.com

“I had become a strange, wild thing away from home—even to myself.” —From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 Photo by Christine Parry. Courtesy Women Make Movies. ow.ly/BFjT50D5itI

oxfordamerican's tweet image. “I had become a strange, wild thing away from home—even to myself.”

—From @jameyhatley’s “Talibah Safiya: Oracle of Castalia,” in the “Icons” section. #GreatestHitsMusicIssue. #Issue111 

Photo by Christine Parry. Courtesy Women Make Movies.
ow.ly/BFjT50D5itI

“Big and basic, down-to-earth, Howlin’ Wolf seemed driven by the existential necessity of the blues to the end. His art defined him.” —On Yusef Komunyakaa’s birthday today, we’re reading his reflections on Howlin’ Wolf from #Issue111. ow.ly/7whh50ITsiY Photo: Brian Smith

oxfordamerican's tweet image. “Big and basic, down-to-earth, Howlin’ Wolf seemed driven by the existential necessity of the blues to the end. His art defined him.”

—On Yusef Komunyakaa’s birthday today, we’re reading his reflections on Howlin’ Wolf from #Issue111.

ow.ly/7whh50ITsiY

Photo: Brian Smith

Jazz visionary Thelonious Sphere Monk was born on this day in 1917. @SamStephenson12 wrote about Monk's life and background in a piece titled “Is This Home?” in #Issue58, and @blkfootwhtfoot chose it as one of OA’s Greatest Hits in 2020 for #Issue111. oxfordamerican.org/magazine/issue…

oxfordamerican's tweet image. Jazz visionary Thelonious Sphere Monk was born on this day in 1917. @SamStephenson12 wrote about Monk's life and background in a piece titled “Is This Home?” in #Issue58, and @blkfootwhtfoot chose it as one of OA’s Greatest Hits in 2020 for #Issue111. 
oxfordamerican.org/magazine/issue…

A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111 oxfordamerican.org/magazine/issue… 📷 by Edward Colver

oxfordamerican's tweet image. A close look at the #BalladsIssue cover reveals a new story about @remhq! In anticipation, take a look at the late @lizziewurtzel’s essay about the band, originally seen in #Issue3 in Winter 1993 and republished in 2020 for #Issue111

oxfordamerican.org/magazine/issue…

📷 by Edward Colver

“I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 oxfordamerican.org/magazine/issue… 📷Christine Parry. c/o @womenmakemovies #ReadOA #MusicIssues #Memphis #OxfordAmerican

oxfordamerican's tweet image. “I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 

oxfordamerican.org/magazine/issue…

📷Christine Parry. c/o @womenmakemovies

#ReadOA #MusicIssues #Memphis #OxfordAmerican

“I think as long as there’s social unrest in America, there’s gonna be an appetite for the blues.” —On @adiavictoria's birthday, we're revisiting 2017 interview "A Political Blues" (ow.ly/v8hF50K1fQA). Plus, check out her playlist from #Issue111: ow.ly/fzsU50K1fQz

oxfordamerican's tweet image. “I think as long as there’s social unrest in America, there’s gonna be an appetite for the blues.”

—On @adiavictoria's birthday, we're revisiting 2017 interview "A Political Blues" (ow.ly/v8hF50K1fQA). Plus, check out her playlist from #Issue111: ow.ly/fzsU50K1fQz

“Southern sacred music, much like the Sabbath, is an invitation to rest away from this world.” —From @adiavictoria’s playlist “Not in this Life—Death, Secession, and Belonging in Southern Sacred Music.” Art by Three Ring Studio. #Issue111. ow.ly/XjsH50CmW7P

oxfordamerican's tweet image. “Southern sacred music, much like the Sabbath, is an invitation to rest away from this world.”
—From @adiavictoria’s playlist “Not in this Life—Death, Secession, and Belonging in Southern Sacred Music.” Art by Three Ring Studio. #Issue111.
ow.ly/XjsH50CmW7P

“Marsalis became so beloved as a teacher and musician that, in his later years, music lovers in nearly every room he entered in New Orleans leapt to their feet.” —“Ellis at the Crossroads,” by Gwen Thompkins. Art by @DannyRomeril. #Issue111 #OAMusicIssue ow.ly/li1N50ClBNT

oxfordamerican's tweet image. “Marsalis became so beloved as a teacher and musician that, in his later years, music lovers in nearly every room he entered in New Orleans leapt to their feet.”

—“Ellis at the Crossroads,” by Gwen Thompkins. Art by @DannyRomeril. #Issue111 #OAMusicIssue
ow.ly/li1N50ClBNT

“Perhaps there is a kind of creativity that is far mightier than the grave.” —From @danielleamir’s introduction to the “Icons” section of our #GreatestHits #OAMusicIssue. Art by Carter/Reddy. #Issue111. ow.ly/IMAr50CgRsS

oxfordamerican's tweet image. “Perhaps there is a kind of creativity that is far mightier than the grave.” 
—From @danielleamir’s introduction to the “Icons” section of our #GreatestHits #OAMusicIssue. Art by Carter/Reddy. #Issue111.
ow.ly/IMAr50CgRsS

“You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.” —We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday. ow.ly/9wjT50MVpnK Art: @dianaejaita

oxfordamerican's tweet image. “You always know when a Nina Simone song spills out of a speaker. The temperature changes...and everyone at the party seems to pause.”
 
—We’re reading @TianaClarkPoet’s #Issue111 homage to @NinaSimoneMusic in honor of her birthday.

ow.ly/9wjT50MVpnK

Art: @dianaejaita

“As the late, great Jim Dickinson kept reminding us, world boogie was coming.” —From @cynthiashearer’s “Celestial Jukebox,” from our #GreatestHitsMusicIssue. #Issue111 Art: Illustrations by @funkaldelyfunk ow.ly/MFt450COfcZ

oxfordamerican's tweet image. “As the late, great Jim Dickinson kept reminding us, world boogie was coming.”

—From @cynthiashearer’s “Celestial Jukebox,” from our #GreatestHitsMusicIssue. #Issue111 

Art: Illustrations by @funkaldelyfunk
ow.ly/MFt450COfcZ

“I start plotting new points on a new map: a country-soul five-pointed star.” —@MsAliceRandall rethinks the borders of Southern music in “The Way They Strut” from #Issue111. Read it to learn more about our 2021 Music Issue theme! ow.ly/OV3z50G1Au8 Art by: Garrett Bradley

oxfordamerican's tweet image. “I start plotting new points on a new map: a country-soul five-pointed star.”

—@MsAliceRandall rethinks the borders of Southern music in “The Way They Strut” from #Issue111. Read it to learn more about our 2021 Music Issue theme!
ow.ly/OV3z50G1Au8

Art by: Garrett Bradley

“You see, the South just has a thang. It gets INTO you. And there is no historian like the music created here.” —Read guest editor @blkfootwhtfoot’s introduction—and listen to her playlist!—at the link. Art by Anthony Harrison #Issue111 ow.ly/C18l50C5kGP

oxfordamerican's tweet image. “You see, the South just has a thang. It gets INTO you. And there is no historian like the music created here.”
 
—Read guest editor @blkfootwhtfoot’s introduction—and listen to her playlist!—at the link. Art by Anthony Harrison #Issue111 ow.ly/C18l50C5kGP

Make your summer LOUD with Issue #111 of Fireworks! 🤘 164 pages, 41 interviews, 35 pages of reviews + features on Helloween, Lita Ford, Volbeat, Jeff Wayne & more! Grab your copy now 👉 fireworks-magazine.com/category/all-p… #Rock #Metal #Issue111

Fireworks_Mag's tweet image. Make your summer LOUD with Issue #111 of Fireworks! 🤘 164 pages, 41 interviews, 35 pages of reviews + features on Helloween, Lita Ford, Volbeat, Jeff Wayne & more! Grab your copy now 👉 fireworks-magazine.com/category/all-p… #Rock #Metal #Issue111

모노클 3월호. 잡지의 대략 60페이지를 한국 소개에 할애. Monocle's March issue covers an in-depth analysis of S. Korea. #monocle #march2018 #issue111

YounghaChang's tweet image. 모노클 3월호. 잡지의 대략 60페이지를 한국 소개에 할애. Monocle's March issue covers an in-depth analysis of S. Korea. #monocle #march2018 #issue111
YounghaChang's tweet image. 모노클 3월호. 잡지의 대략 60페이지를 한국 소개에 할애. Monocle's March issue covers an in-depth analysis of S. Korea. #monocle #march2018 #issue111

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