#readoa search results
Eyes On the South | Slight Haze | Rosie Brock oxfordamerican.org/eyes/slight-ha… #FromtheArchive #ReadOA #EyesOnTheSouth #EOTS
"FIGO guidance for sustainable implementation of vaccination programs for women: Pregnancy and HPV" by @FIGO Committees on Women's Cancer, Infections During Pregnancy, Well Woman Health Care & Ethical Aspects of Human Reproduction & Women's Health #ReadOA obgyn.onlinelibrary.wiley.com/doi/10.1002/ij…
We love to see our readers share their magazines - tag us in your photos to be featured on OA socials! #ReadOA #OAEverywhere #OxfordAmerican 📷 @CharlotteHam504; @MeshaMaren; Ashley Clayborn; Scott Rossi; @thedwmckinney. #OxfordAmerican #OAEverywhere #OAintheWild
Read “Unpacking @COWBOYCARTER” and explore the highlights (and lowlights) of @Beyonce’s latest album according to a few OA folks, including contributing editor @ArkDavey #ReadOA Find it online at: oxfordamerican.org/web-only/a-cow…
Is it country? Transcendent? Conceptually smothered? An archival fascination? For this brand new feature, we call on a handful of OA editors, contributors, and interns to discuss @Beyonce's latest album, #COWBOYCARTER. #ReadOA #BlackCountryArchive oxfordamerican.org/web-only/a-cow… 🧵
We’re thrilled to reveal the cover for the 2024 Summer #OutsideIssue, featuring a photograph by Bahamian portrait and documentary photographer Melissa Alcena! #OA125 #ReadOA You can have this issue hands before it hits newsstands if you pre-order today: oxfordamericangoods.org/products/summe…
Wrapping up April, the OA team united in Central Arkansas for our annual Summit, immersing ourselves in activities at the Winthrop @Rockefeller Institute (WRI) nestled on Petit Jean Mountain! #OASummit #ReadOA
This #EarthDay, pre-order your copy of the upcoming #OutsideIssue, featuring a new essay from @kingofmarco, centered around a struggle to retain his family’s land in North Memphis. #ReadOA #Summer2024 Order here: oxfordamericangoods.org/collections/go…
Crave stories more complex than your run-of-the-mill social media feed? Dive into the Oxford American. #ReadOA
@shaunassael's 2019 tale of talent, tenacity, and a “black country club” in Wilmington, NC #FromTheArchive #ReadOA Read here: oxfordamerican.org/magazine/issue… Image: Rashid Johnson, Monique Meloche Gallery, Chicago
OA Project Specialist Shobhi Kandasamy’s favorite rendition of his favorite ballad, “Sweet Virginia” by the Rolling Stones, is from a live performance filmed in Texas in 1972! Read more and listen here: oxfordamerican.org/web-only/staff… #BalladsIssue #ReadOA Photo by V. K. Hietanen
We try to tell y’all...Oxford American magazine really is “fur” everyone! #ReadOA #OAPets #OAForEveryone #OAFurEveryone #OAintheWild
John Jeremiah Sullivan's “Fugitive Pieces” debuted our #FallFilmIssue. Read the inaugural piece, “In Old Wilmington,” in #Issue122! #ReadOA oxfordamerican.org/magazine/issue… 📷: Beauford Delaney, Courtesy Michael Rosenfeld Gallery LLC, New York
In this #EyesOnTheSouth feature from 2020, photographer @Adtwhite1 explores inter-generational memory and trauma through poignant black-and-white images #ReadOA #PickledMemories See more here: oxfordamerican.org/eyes/pickled-m…
In an investigative study of Robert Flaherty's 1948 film "Louisiana Story," artist and writer @virginiahanusik explores the web of environmental propaganda and popular media. Read more in #Issue122 or online now. #ReadOA oxfordamerican.org/magazine/issue… 📸 Virginia Hanusik
In 1970, James Dickey published “Deliverance.” In 2008, @BronwenDickey revisited the river her father made famous (or infamous) in #Issue61. #OAArchive #ReadOA #OAEverywhere Read here: oxfordamerican.org/magazine/issue… 📸 Chattooga River under Bull Pen Bridge (2013) by Dallas Epperson
This #IndigenousPeoplesDay, revisit @BoyceUpholt’s feature from #Issue106 about the Biloxi-Chitimacha-Choctaw tribe. Just as the South can be found in the world, one can find the world in the South. #ReadOA Read more: oxfordamerican.org/magazine/issue… 📸 @WilliamWidmer @reduxpictures
Hello…is this the Ballads rec you were looking for? Accounting Manager ShaVon Taylor chooses a classic for her favorite Ballad! Listen and read more here: oxfordamerican.org/web-only/staff… 📷:@LionelRichie at Acer Arena (2011) by Eva Rinaldi #OA #ReadOA #BalladsIssue #Ballads
@TrueDSmith hadn’t owned a camera before conceptualizing KOKOMO CITY, which later premiered at @SundanceFest and received nominations for two awards. @JewelWickerShow explores that story in the Fall #FilmIssue: ow.ly/Fxwn50PSFMe 📷 courtesy @MagnoliaPics #Issue122 #ReadOA
“I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 oxfordamerican.org/magazine/issue… 📷Christine Parry. c/o @womenmakemovies #ReadOA #MusicIssues #Memphis #OxfordAmerican
In 1970, James Dickey published “Deliverance.” In 2008, @BronwenDickey revisited the river her father made famous (or infamous) in #Issue61. #OAArchive #ReadOA #OAEverywhere Read here: oxfordamerican.org/magazine/issue… 📸 Chattooga River under Bull Pen Bridge (2013) by Dallas Epperson
John Jeremiah Sullivan's “Fugitive Pieces” debuted our #FallFilmIssue. Read the inaugural piece, “In Old Wilmington,” in #Issue122! #ReadOA oxfordamerican.org/magazine/issue… 📷: Beauford Delaney, Courtesy Michael Rosenfeld Gallery LLC, New York
In an investigative study of Robert Flaherty's 1948 film "Louisiana Story," artist and writer @virginiahanusik explores the web of environmental propaganda and popular media. Read more in #Issue122 or online now. #ReadOA oxfordamerican.org/magazine/issue… 📸 Virginia Hanusik
OA Project Specialist Shobhi Kandasamy’s favorite rendition of his favorite ballad, “Sweet Virginia” by the Rolling Stones, is from a live performance filmed in Texas in 1972! Read more and listen here: oxfordamerican.org/web-only/staff… #BalladsIssue #ReadOA Photo by V. K. Hietanen
We’re thrilled to reveal the cover for the 2024 Summer #OutsideIssue, featuring a photograph by Bahamian portrait and documentary photographer Melissa Alcena! #OA125 #ReadOA You can have this issue hands before it hits newsstands if you pre-order today: oxfordamericangoods.org/products/summe…
Eyes On the South | Slight Haze | Rosie Brock oxfordamerican.org/eyes/slight-ha… #FromtheArchive #ReadOA #EyesOnTheSouth #EOTS
We love to see our readers share their magazines - tag us in your photos to be featured on OA socials! #ReadOA #OAEverywhere #OxfordAmerican 📷 @CharlotteHam504; @MeshaMaren; Ashley Clayborn; Scott Rossi; @thedwmckinney. #OxfordAmerican #OAEverywhere #OAintheWild
Wrapping up April, the OA team united in Central Arkansas for our annual Summit, immersing ourselves in activities at the Winthrop @Rockefeller Institute (WRI) nestled on Petit Jean Mountain! #OASummit #ReadOA
Hello…is this the Ballads rec you were looking for? Accounting Manager ShaVon Taylor chooses a classic for her favorite Ballad! Listen and read more here: oxfordamerican.org/web-only/staff… 📷:@LionelRichie at Acer Arena (2011) by Eva Rinaldi #OA #ReadOA #BalladsIssue #Ballads
Check out these photos from the set of Kasi Lemmons’s 2019 film, “Harriet,” and read more of her interview with @tylrmntg in the Fall Film Issue or online: oxfordamerican.org/magazine/issue… 📸from the set of Harriet © Glen Wilson / @dubarts #Issue122 #ReadOA
In this #EyesOnTheSouth feature from 2020, photographer @Adtwhite1 explores inter-generational memory and trauma through poignant black-and-white images #ReadOA #PickledMemories See more here: oxfordamerican.org/eyes/pickled-m…
This #IndigenousPeoplesDay, revisit @BoyceUpholt’s feature from #Issue106 about the Biloxi-Chitimacha-Choctaw tribe. Just as the South can be found in the world, one can find the world in the South. #ReadOA Read more: oxfordamerican.org/magazine/issue… 📸 @WilliamWidmer @reduxpictures
In this feature from #Issue122, the Southern Film issue, photographer Rahim Fortune examines the “visceral texture” of documentary filmmaker Les Blank’s work about the South in “The Intimate and the Public.” #ReadOA #OxfordAmerican See more here: oxfordamerican.org/magazine/issue…
The rediscovery of the photos featured in Johnson’s “Once Was Lost” was serendipitous, but the story doesn’t end there! Johnson’s old friend, C.D. Wright, wrote a poem inspired by the collection. You can read it here: oxfordamerican.org/magazine/item/… #ReadOA #Issue92 #OxfordAmerican
@TrueDSmith hadn’t owned a camera before conceptualizing KOKOMO CITY, which later premiered at @SundanceFest and received nominations for two awards. @JewelWickerShow explores that story in the Fall #FilmIssue: ow.ly/Fxwn50PSFMe 📷 courtesy @MagnoliaPics #Issue122 #ReadOA
We try to tell y’all...Oxford American magazine really is “fur” everyone! #ReadOA #OAPets #OAForEveryone #OAFurEveryone #OAintheWild
Read “Unpacking @COWBOYCARTER” and explore the highlights (and lowlights) of @Beyonce’s latest album according to a few OA folks, including contributing editor @ArkDavey #ReadOA Find it online at: oxfordamerican.org/web-only/a-cow…
This past weekend, the @HighlanderCtr celebrated its 91st homecoming! Read more about the history of Highlander in @Brookfiles’s essay, “Someday,” from the Tennessee Music Issue! #Issue83 #ReadOA Photo: “Try me” (Violet, LA, 2010) by Michael M. Koehler oxfordamerican.org/magazine/issue…
“I walk the streets of my ancestors daily.” Talibah Safiya in conversation with author Jamey Hatley in this essay from #Issue111 oxfordamerican.org/magazine/issue… 📷Christine Parry. c/o @womenmakemovies #ReadOA #MusicIssues #Memphis #OxfordAmerican
@shaunassael's 2019 tale of talent, tenacity, and a “black country club” in Wilmington, NC #FromTheArchive #ReadOA Read here: oxfordamerican.org/magazine/issue… Image: Rashid Johnson, Monique Meloche Gallery, Chicago
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